I’ve been working flat out recently – evenings and weekends – working on the first round of edits for the third book in my Hedgehog Hollow series: Family Secrets at Hedgehog Hollow. With them emailed to my editor on Sunday evening and the second round due back within a week, it didn’t make sense to get into my next book – only to have to dip out of it soon after – so I decided to take this week off to catch up on a combination of housework and admin. And perhaps a rare bit of relaxation.
Last night, conscious I was quite late to the party as friends have been raving about it for a while, I decided to try the first episode of Netflix’s new eight-strong series: Bridgerton. Four episodes later, I had to force myself to stop watching and go to bed. Today I caught up on the remaining four. Wow! What a series!
I do love a period drama but I dragged my heels on watching this one and nearly didn’t bother last night because I was disappointed with a couple of period films I’d watched over Christmas and was reluctant to invest my time in Bridgerton in case it left me with the same feeling of disappointment. It absolutely didn’t.
The two films in question were Emma and Little Women. Both really good films and I am sure that many will have loved them but I’m afraid I personally preferred previous adaptations of both. I love the 1994 version of Little Women starring Winona Ryder and Emma was always going to have tough boots to fill for me as the 1996 version starring Gwyneth Paltrow, Toni Collette and Ewan McGregor is one of my all-time favourite films.
I confess I haven’t read either of the books so I have no idea which version of the film is the closest representation of Austen’s/Alcott’s classics but the 90s films definitely did it for me.
It’s always hard, isn’t it, when there’s a remake of a film you love? I can’t think of any occasions where I’ve preferred the version I’ve seen second time around. Miracle on 34th Street is my all-time favourite Christmas film but it’s the 1994 version I love. I’ve never seen the 1947 original as I know I will be constantly comparing it, even though I know most who saw that first will probably say it’s the best.
Anyway, back to Bridgerton. Set in 1813 Regency England, why did I love it so much?
Oh my goodness, how simply divine were the costumes? Tiaras? Jewellery? Apparently a whopping 7,500 pieces were made for the series with the lead female character having a whopping 104 costume changes. Eek! And the make-up and hairstyles were fabulous too. Stunning. I loved how the two main families – Bridgerton and Featheringtons – had a colour palette. And the final ball is a visual delight of different shades of blue.
Set across one debutante season, Bridgerton is packed full of balls so there’s lots of music courtesy of string quartets. As I listened, I thought, ‘I recognise this song!’ and I don’t mean familiarity with a classical piece. You see, the music is contemporary but played by a string quartet in the regency style. I specifically recognised ‘In My Blood’ by Shawn Mendes (the munchkin is a huge fan of his so I know that song well) and ‘Wildest Dreams’ by Taylor Swift (although I confess to only confirming that one after I Googled it as I didn’t quite get there and it was bugging me!) I loved this contemporary edge on a period piece.
As with any period drama involving society, there are some sumptuous properties. Much of the series was filmed in London and Bath but there were various settings used around the country and I was particularly thrilled to spot that The Duke of Hastings’s fictional home was Castle Howard. Deep in the countryside off the A64 between Scarborough and York, I love Castle Howard. I visited it with my good friend and fellow author, Sharon Booth, in Christmas 2019 where the decorations were masquerade-themed. We’d have returned in 2020 if we could but hopefully will be able to return in 2021. I’ve put a few pics below although the sunny one was not from Christmas 2019!
Incidentally, Castle Howard makes an appearance in one of my books – New Beginnings at Seaside Blooms – under the guise of Denbury Castle where protagonist Sarah has a hot air balloon flight.
But my absolute favourite part was the story itself. It was fast-paced, gripping, full of intriguing characters. It was about love, family and friendships and all the challenges that come with that. It explored how relationships change as character circumstances change. It made me laugh out loud and it made me cry. In short, it was everything a good book should be and these are the elements I endeavour to include in all my stories as they are what excite me.
Ultimately, this was a beautiful love story about someone whose past has left them damaged and how they find their way through that. Again, a bit of a theme for my own writing.
I loved the idea that the narrator, voiced by Julie Andrews, is the person who pens the society gossip pages – Lady Whistledown – whose identity is a mystery but whose narrative certainly causes a few problems for everyone. This added a level of intrigue throughout the series which was fun. I made several wrong guesses in the first couple of episodes before guessing correctly. Not that guessing spoilt my enjoyment of the rest as I did change my mind a couple of times after that before the final reveal!
I adored all the comments about the place of women and could feel the frustration of the characters who wanted more from their lives than what society expected of them. I felt invested in them all and hoped they’d manage to achieve their dreams in the future.
And I love that this beautiful story has not been out of the Top 10 on Netflix since its release on Christmas Day proving that romance stories are alive and loved. As they should be!
I don’t want to say too much more as I don’t want to give any spoilers but I’m delighted to see the author of the books – Julia Quinn – riding high in the Amazon and Apple charts (screen shot from Apple as there were more of her books together at the time of writing).
I’d love to read the books and I can’t wait for season 2 of the series (had been planned but filming coudln’t go ahead due to the pandemic). Netflix haven’t confirmed a second season but, after the success of this one, surely there’s no question that they will.
Congratulations to Julia Quinn, Netflix, and absolutely everyone involved in this production. My faith in period dramas has been restored.
Have you seen it? If so, what did you think? Had you perhaps read the books first? Would love to hear your thoughts.