Happy Women’s (also read by men) Fiction Day 2021

Today is Women’s Fiction Day, a day set up two years ago by USA-based WFWA (Women’s Fiction Writers’ Association) “to celebrate the authors, stories, readers, bookstores, and fans of the women’s fiction genre.” You can read more about them here.

When a reader sent me a lovely message earlier today wishing me Happy Women’s Fiction Day and thanking me for my stories, I was touched and delighted and nearly penned a blog post immediately to celebrate the day.

But then I didn’t.

And I wondered why I’d paused. I realised it was the label ‘women’s fiction’ that had stopped me.

I’m not the sort of person who gets precious about labels because I know I work in an industry that is rife with them. Two decades ago before I ever entertained the idea of being an author, I used the term ‘chick-lit’ for what I read. When I became an author many years later, there was a definite move away from this and many authors felt it was a derogatory term. I can see why but I’ve never felt upset by it, although it’s not a term I tend to use these days, much preferring ‘romcom’.

I sometimes say I write romance or contemporary romance. I more often use a tagline – stories of love, friendship, family and community – but I’ve never applied the term ‘women’s fiction’ to my work and I think that’s because I struggle with the suggestion that the stories I tell are only suitable for women. Because they’re not.

Before anyone shouts at their computer, I know that the term doesn’t mean that but, to me, it implies it.

I love how the WFWA describe women’s fiction and they have this amazing visual on their website. They also make the point that women’s fiction may or may not have a romance :

This is definitely what I write. Although there is always a romance in my books, it doesn’t always take centre stage. Even when the romance is a major plot point, the driver of the story is more about the journey the protagonist is going on and their emotional growth.

Despite reading – and agreeing with – all the above, I still struggle with using the term ‘women’s fiction’. I am certain that women make up the largest percentage of my readership and my social media following, reviews, and membership of my Facebook Readers Group would back this up, but I know for a fact that I have male readers. Some message me, some engage on social media and others make it clear they’re male in their reviews and I love that.

We don’t have a genre called men’s fiction so why do we have women’s fiction? What else would we call it though, especially if it doesn’t include a romance? Contemporary fiction is far too broad as anything set in modern times would fall into that. I don’t know what the answer is.

So I think I’ll create a new label for the purpose of this post called ‘Women’s fiction (also read by men)’ and leave it there for the moment.

To all the authors of this wonderful genre and all those who love to read it, sending my love and thanks.

Big hugs

Jessica xx

Back to the start again

A week or so ago, I was given the launch day for my debut novel, ‘Searching for Steven’. I knew it was going to be June but I’d got it into my head it would probably be late June. It’s Wednesday June 3rd! Eek! That’s only just over four months away!

PhotoFunia-6aa56c2Things are starting to happen. I’ve had my marketing plan from my lovely publishers, So Vain Books, and I’ve had a first draft of my book cover to check I like the concept. Either late next week or early the week after, I should receive my line edits. I have no idea what this will entail. I’ve been very lucky because my structural edits which I received in October last year required very little work. I was asked to address two points in the book where it seemed like the action didn’t quite end. This required an additional sentence in each case so very easy. I was also asked to tone down a chapter where a character was a bit under the influence. When I re-read it, I could see it was a bit over the top and my publishers suggested a slight tweak that I was able to run with. I think the chapter is much better as a result. The challenging part was the start. I thought I’d already blogged about this but I’ve looked back over my posts and I can’t see one. Please forgive me if I have covered this already and am just not seeing it!

Going back and re-writing the start of ‘Steven’ was my worst nightmare because it has been my nemesis in the decade I’ve been working on the book. I am not exaggerating when I say there have been about 40-50 different starts. In ‘Steven’, my protagonist Sarah moves back to her seaside hometown of Whitsborough Bay in North Yorkshire to take over her Auntie Kay’s florist shop. In early versions of the book, this was because Auntie Kay had died and Sarah had inherited the shop. I therefore had the book starting at a funeral, a will-reading, sitting in a cafe with her best friend reflecting on the loss, getting a phone call at home with the news of the death and about six or seven other variations around this theme. Then a writing friend read one of the variations and cried, ‘No! You can’t kill Auntie Kay!’ And I suddenly realised she was right. Although Auntie Kay was dead in my book, she’d become a real character in my head and I’d grown to really like her. But why else would Sarah move back home and take over the florists if her Auntie hadn’t died. Then it struck me: she could decide to retire and travel the world. Perfect. Auntie Kay was very happy to receive this news instead of a death certificate! Great news for her but not so great for me. How would I start the book now?

The answer was pretty much anywhere. I had Sarah at work missing out on a promotion, at home ending a rubbish relationship, travelling home to Whitsborough Bay after she’d split up with the boyfriend, or being in Auntie Kay’s shop and being told the news that she wanted to give the shop to Sarah to name just a few. I started the story when she was in primary school. I started the story when she was in senior school. I started the story in so many different guises that my head was spinning!

In summer 2013, I attended the RNA’s annual conference and pitched the book to two publishers. They both loved the premise and my voice which was incredibly flattering. They also both wanted to see the full manuscript. At this point, it started with Sarah travelling home to see Auntie Kay and getting the news about the shop. The MS had been way too long so I’d cut out a lot of what went before around ending a rubbish relationship in order to get on with the main story. One editor liked it but wanted to see a bit more action e.g. splitting up with the boyfriend (the chapter I’d cut) before going home. The other wanted more of a motivation as to why she was so keen to meet The One (it is a romance story, after all). Both their comments triggered a lightbulb moment and I came up with a start to the book that got the action and the motivation. Yippee!

PhotoFunia-6aa69bcProblem was, although So Vain Books loved it, they were concerned that it might set the wrong tone for the book with anyone dipping into the first chapter before buying. They were absolutely right. The book is fairly light-hearted and the beginning wasn’t.

I emailed them to say I’d be delighted to make a change to the start but HELP!!!!! I explained my million variations. At one point, I’d written a chapter that I did really love and I still had it. I felt it might be what they were looking for. I edited it a bit as some of the points made in it were no longer relevant to the rest of the story and sent it over. They loved it. Phew!

So now I wait to see what the final editing stage will bring. In the meantime, I’ve pretty much written the first draft of book 3. It needs a lot of editing as I’ve made a major change to it which I’ll talk about in another post but it’s been really timely because, as a result of finishing the trilogy, I know there are some minor tweaks I want to make to ‘Steven’. I want to change the job of a minor character in book 1 who’s a major character in book 3. I want to change the name of a village because I’ve really gone off my original choice of name. I need to change someone’s age. Little things like that. The great thing is that I have the opportunity to still do that. But there will hit a point when I can no longer tinker. Very scary!

I’m now really pleased with the start of ‘Steven’. It’s been a very painful process but I’ve got there. Funnily enough, the start to the two sequels has caused me no problems at all. I tinkered a bit with book 2 and book 3 hasn’t changed at all. Whether I planned it better because I didn’t want to go through the pain of book 1 again or whether it was easier to know where to start when the book’s a sequel, I’m not sure. Whatever the reason, I’m glad I don’t have to go through it again. Unless, of course, my publisher doesn’t like the start of either book. But we’ll cross that bridge if we come to it.

Happy reading and writing 🙂 xx

The reasons for the early Christmas prep … whinge time!

I posted earlier this week about my procrastination for my writing and promised I’d explain why I think I’m doing this. So here’s the explanation. Frustratingly, I started writing this post immediately after the 3rd Dec one but I’ve somehow lost it. I must have closed it down without saving it. Grr.

Let’s crack on. Here’s are several things that have happened that have led to my crisis of confidence:

P10507461) My NWS report earlier this year. I submitted novel 2, ‘Getting Over Gary’, and my reader didn’t have many positive things to say about it. She kept saying there were lots of positive things … but somehow managed to emit them from my report. She kept referring to it as a “draft” but I actually felt like it was pretty much there. Thankfully my incredibly supportive fellow-Write Romantic, Jo Bartlett, had beta-read Gary. I asked her to look over the report and she was really encouraging in allaying my concerns

2 ) I started to edit Gary as there were a couple of points that my reader had made that I decided to act upon. I’d loved the book before submitting it but began to really doubt it was good enough as a follow-up to Steven. One of the points that plagued me were that my heroine of book 1, Sarah, and her best friend, Elise (the heroine of book 2) weren’t different enough. I write in 1st person and have given myself a bit of a challenge. Book 1 is told completely from Sarah’s POV but book 2 is Elise’s story and mainly told from her POV but it also continues with Sarah’s story and includes chapters told from her POV. By book 3, we have Sarah’s, Elise’s and Clare’s (new heroine) POVs. I began to realise that my reader was right and I wasn’t really sure what to do about it. Jo came up with a great suggestion of expanding on some aspects of Elise’s personality that I’d touched upon in book 1 but hadn’t made much of in book 2. If I built on this, I’d get my difference but it meant quite a bit of work and I struggled with it.

I then got the amazing news of a publishing deal. Then another. In the two-offers excitement, I pretty much wrote off September, not writing anything. Early October was then devoted to getting ready for the launch of our anthology, late October was a holiday, then I returned to start NaNo …

_MG_69113) I failed NaNo. Last year I “won” it, finishing Gary and starting on book 3, ‘Discovering David’. I wanted to use the 50k word goal to finish David after which I’d turn to Gary again and try to finally resolve the issues in that. The thing is, I started NaNo knowing the plot of David wasn’t perfect. I had a big event happen near the start and I realised earlier in the year that I needed this happen much closer to the end to ensure my heroine, Clare, had a good character arc. This meant a lot of re-plotting. I took my notebook away on holiday with a plan to re-plot it then but I just didn’t find the time to look at it on a family holiday.

I decided to just crack on with writing the chapters I’d mapped out (as I’d still need them) then re-order things later. I managed about 20k words which was probably about 17k more than I’d have done without NaNo but I lost my confidence and let myself get distracted my the whole Christmas preparation thing I talked about in my last post.

4) Our anthology, ‘Winter Tales – Stories to Warm Your Heart’ came out at the start of November which was very exciting. But, on the day it was launched, I had a bit of a panic attack. We’d discussed as a group whose short story would feature first in the anthology. It was decided that mine would because (a) I’d been the one to pull the stories together and my husband had typeset them and (b) My story is called ‘Not Just Another Winter’s Tale’ which fit well with the title of the anthology. Very exciting. Very flattering. Actually, very scary and that fear hit me big time when I went onto Amazon to look at our book and registered that the “look inside” would mean potential readers got to sample most of my story. Only my story. Nobody else’s story. Just mine. Which meant that some people might make the decision not to buy because they didn’t like my work. Huge pressure. Of course, the logical side in me is telling me that I have no way of ever knowing whether someone chose not to buy because of the sample but my Doubting Thomas tells me they could well have done

P10506875) The reviews for ‘Winter Tales’ started coming in. Some of the group had made contact with book reviewers and provided them with advance pdfs so a few reviews came in pretty quickly. It was amazing to get 4 and 5-star reviews from these individuals with hundreds or thousands of followers and I basked in the collective glory of the anthology. But I was also hit with doubts. One thing I hadn’t been prepared for was any of the reviewers specifically naming stories as their favourites. The first reviewer picked four stories as her favourites (not mine) and the second one said she preferred the non-traditional romance stories (also not mine). Ridiculous isn’t it but this really threw me. I certainly hadn’t expected to have my story named as a favourite but it hadn’t entered my head that others would be picked out either. Which took me back to point 4

6) I’m feeling really down about work at the moment. This time last year, I’d been out of work for several months and had just secured a job with the company I currently work for. A month or so back, my team received some information that indicated that we could find our roles at risk. Several other pieces of data came to light that suggested this would definitely be the case and, whilst I’ve been now told my role isn’t at risk, there will definitely be a restructure in the new year and I have no idea what my role will look like. I saw a promotion opportunity internally recently and, as I’ve taken a big step down in salary and level to work locally and avoid a huge commute each day, I knew I could do this job. The recruiting manager knew I could do this job too but she felt that I’d be wasted in the role because I’m good at and passionate about what I do at the moment. So the promotion isn’t open to me and I just have to hope that whatever restructuring happens in the new year finally provides clarity on my role and a pay rise. Not going to hold my breath, though 😦

So there you have it. The job situation is having a huge effect on my confidence but I’d be lying if I said it was the whole thing. I think the bigger concern is around writing books 2 and 3. I’m exceptionally proud of Steven. I was proud of Gary until I submitted to the NWS and I was very happy with the story for book 3 until I started writing it. Musicians often cite “that difficult second album” and I think I’m suffering from the difficult second and third book. I’m also doubting my story in the anthology and am doubting I have what it takes to be anything other than a “one-book wonder”. And I’m not even that yet because it won’t be released until next year!

On the positive side, I’ve had wobbles before and got over them. I’m also meeting my writing pals Alys and Sharon tomorrow who should help to slap me and cheer me up. Jo has reminded me that I’ve got a three-book deal but, whilst amazing, my publishers haven’t seen Gary or David yet. What if they don’t like them. She suggested I could send Gary over for a look but I don’t know if I dare, especially when I know it’s not quite there.

I think what I need to do for now is just focus on Christmas, try to relax, stop panicking about the writing and crack on with it when I get my work confidence back as that is definitely on my mind.

Right, going to stop moaning now. Before I go, though, I’ll just point out that our heating broke down overnight on Thursday and we can’t get anyone out until Monday. We had our first frost today and it’s freezing so I’m feeling extra sorry for myself today. I’m writing this in my PJs AND a onesie, thick socks, and the lounge fire on (thank goodness for an electric fire), trying to get some heat into my bones. I think this is probably making the writing doubts even worse!

Thanks for listening xx

Books, books, everywhere

I like big books and I cannot lie … Hmm, that sounds like the start of a rather dodgy song so I’ll leave it there! I like books. I like to own them. I love my Kindle (despite battling against getting one) but I will always love the physical look and feel of books. All books. I love books with pictures in them, books full of facts, and proper reading books. The problem is storage. We don’t have a big enough property to be able to devote a whole wall in the lounge to books or a wide enough hall to have bookshelves down one side. Shame. The consequence is that I have pockets of books everywhere so this is a walk-through them. Apologies that the photos aren’t brilliant. My hubby is the talented photographer in this house but he tends to take forever to set up a “project” and I know he doesn’t have the time just now.

P1050579Let’s start in my lovely new office. This was formerly the spare bedroom but, as it had probably been slept in for 6 nights over 3 years, I managed to win the battle to convert it to my writing space. Hubby finally put me some shelves up a few weeks ago. These play host to most of my paperbacks (and one or two hardbacks). I’m pretty anal and, whilst I wouldn’t go so far as to colour organise them (my clothes are colour-organised!), I have some logic to my organisation. Naturally multiple books by the same author appear together but I’ve tried to group genre together. The top shelf, bottom shelf and half of the middle shelf are predominantly romcoms or similar (except the Harry Potter ones, of course) whereas the right-hand side of the middle shelf is a bit of a mix of other genres. My triplet teddies guard them – Toffee, Fudge and Caramel. It’s not a very extensive paperback collection. Two years ago, it was double the size and I realised I was going to have to part company with half the collection or I’d be forever tripping over boxes of books. It was with a heavy heart that I freegled a stack of books I’d read and loved – Jill Mansell, Marian Keyes and many other favourites – hoping that someone else would get the joy I’d received from reading them. I regret it now but needs must!

P1050581Also in my office, under the bookshelves, I have another collection of books on top of a cupboard. These are my writing-related books. “How to” books/guides, The Writer’s & Artist’s Yearbook, Baby Name book (invaluable for character names) and my Writer’s Bureau course nestle there. Really must finish my course one day soon!!! Oh, and some teddy bears. The big boy is a Charlie Bear called Asia. He’s gorgeous. I got made redundant last summer and really struggled to find a job. I finally managed to secure some minimum-wage seasonal work in a local garden centre. They sold Charlie Bears and, as I got a staff discount, I indulged when I managed to secure a permanent position (my current role). The little fella is a Thank You Me to You bear from my lovely writing friend Jay Bartlett for supporting her with the edits on her debut novel.

P1050582The books don’t finish there. I have one more stand-alone bookshelf in the office which houses an assortment of books, a stack of notepads (I have another cupboard full of them too) and books relating to one of my other passions and a former hobby. The passion is one you can probably spot from looking at the other pictures; teddy bears. I collect bears and will write a blog one day soon about my collectible ones. The books on the bottom left are all about the history of teddy bears and/or how to make bears. I can make them but it’s very time-consuming. The other hobby is flower-arranging. I took a night class about 8 years ago and got my first stage qualification. I signed up for the next stage but it all went wrong and ended up being cancelled. I’ve never bothered again since. Every year I make some arrangements at Christmas using the skills I’ve remembered but I probably won’t take it further.

P1050668Let’s leave the office and poddle across the landing into the bedroom. Not many books in there due to lack of space but we have a custom-made shelving unit by the bed that doubles up as a bedside table for my lamp, alarm clock and glass of water. This has a few hardbacks on it and, if you’re a fan, you’ll spot that four of them are Jill Mansell ones. I’m part-way through the Sophie Kinsella on the left but, of the remaining six, I’ve only read one so far. Must rectify that very soon.

The munchkin has a room absolutely packed with books, many of which are childhood classics I’ve enjoyed. She still loves her picture books even though she’s moved onto proper books with being in Year 3 now (juniors in old money!) The hubby doesn’t really do books so his shelves are pretty bare.

P1050585Downstairs, the dining room plays host to a couple of collections. When I met hubby, he was a member of something called The Folio Society. I’d not heard of them but they make gorgeous hardback books. You sign up for a membership and get a batch of books free then have a commitment to buy so many (four I think) across a 2-year period. Most of the books on the shelf here are Folio Society ones including a beautiful set of Fairy books (middle shelf) and a box set of Paddington ones (on the top of the cabinet). We’ve got an old set of Dickens classics (top shelf on the left). But, to my shame, I don’t think I’ve read a single book on this cabinet. You see, I love to own beautiful books but I seem to struggle to find time to read them. The TBR pile just grows and grows.

P1050584The other bookshelf in the dining room has more Folio books but is also home to a couple of shelves worth of recipe books and a bit of a mix of other stuff like guide books and dictionaries. Back to recipe books, herein lies another oddity. You see, I love to buy recipe books … but I don’t love to cook! It’s as though I love the idea of being able to flick through a recipe book and pull together an amazing dinner party menu … but the thought of actually doing it leaves me cold so I don’t have dinner parties and I never flick through the books. Am I strange? Don’t answer that! I used to have recipe books in the kitchen but I found they got sticky so my kitchen is a book-free zone.

P1050583The final book resting place is the lounge. We have a set of shelves on which we have a collection of “coffee table books” – those gorgeous factual books full of pictures and information which I buy thinking “I’d love to read this” but realistically just flick through the pictures instead. There’s a bit of a theme developing here, isn’t there? We’ve got some lovely books about bears (real ones as opposed to cuddly ones) from our honeymoon in Canada and lots of nature books. I will just point out that that the one that says “Joy of …” is “Joy of Nature” rather than “Joy of Sex”!!! But there are also books about forensics, the unexplained and Nostradamus. All things that fascinate me and I’d love to read about if only … yes, you’ve guessed it … if only I had the time!

I’d love to hear about you. Are you a compulsive book-purchaser like me? And do you actually read them??? Do you have books in one place or lots? I think the only places in our house without them are the bathroom/toilet/ensuite and kitchen as previously mentioned. But, if I was organised, the toilet would actually have books in. I’ve even sorted out the joke/comedy ones I’d put in there. Just need to put up a shelf. Just need to find time to put up a shelf …

Jessica xx

Indie Jules & the SP Quest

Tuesdays are normally a fairly harmless day. Perhaps they’re a little closer to a Monday than I’d like and not quite close enough to the weekend but, generally, they’re ok. Today was an exception. 

Today started off with the usual battle to get out of the house for work with the munchkin washed, dressed, brushed, fed and watered. But we managed it. We usually do. Today didn’t start with me having to clean cat mess up in the kitchen, dining room and hall thanks to Pixie clearly having a dicky tummy. No, that was yesterday’s pleasure so today was already looking much better than Monday.

So I arrived at work this morning with a plan of activities and priorities and was looking forward to a productive day. But the best-laid plans usually come unstuck and today they unravelled before my eyes. I won’t bore you with the details but I had to spend most of the day re-working some stuff that I really shouldn’t have had to re-work at the 11th hour because it had been out there for comment 2-3 weeks ago and nobody commented then. Grr.

Hubby picked me up from work and I had a little rant then felt much better. Next stop was Currys to return an iPhone dock that declared on the front that it was “iPhone compatible” but is actually only compatible with an iPhone 5. And I don’t have one of those. Cue sarcastic young chappie on the desk who says, “That’s why it says on the front of the box that it’s got a lightning connector”. Yes, young man, it might well say that. But if you don’t have an iPhone 5 and don’t have an interest in technology, how the hell are you supposed to know that a lightning connector is something that connects into an iPhone and not some technology that just makes the sound better or the connection stronger. He ignored me when I tried to point this out. Rude. But at least I got my refund.

We made it home a little after 6.30pm and I logged onto my computer while the munchkin had her bath and the day deteriorated even more …

A couple of weeks ago, I posted about my decision to go indie and then, last week, a spanner was lobbed into the works when one of the eBook publishers I’d pitched to at the Conference got in touch, apologised for the delay, and said my book would be the next she read. For a few days, I was incredibly excited because this was the eBook publisher who, out of all my submissions, I believed I fit with best. And for a brief moment, despite them having taken nearly nine months to respond to my submission despite having asked for a full in person at the RNA Conference, I forgave them and started imagining what it would be like to receive “the call”. For me, “the call” has always been about that affirmation that I can write because a publisher thinks highly enough of me to take me on.

But then the doubts set in.

You see, I really did (and still do) believe that indie is the way for me. I consider myself to be pretty good at my day job which includes planning, organising, engaging with customers, promotional activities and many other skills that I could directly transfer from a company to myself as my own business. Why wouldn’t I do that? Why would I let someone else take control over deadlines, edits, promotion etc when I believe I have the skills (and would pick up the experience) to do it myself and buy in professionals to do bits I can’t do? I met my lovely writing friend and fellow-Write Romantic Alys, for a drink and a spot of sticky toffee pudding (would be rude not to) at the start of last week and we chatted about her wonderful news that she’s secured an agent (read more about it here) and my dilemma of indie v “the call”. We discussed the pros and cons. We even got out the calculator and did some sums. And everything still pointed to indie so I posed the question to the other Write Romantics and asked them what they’d do. Everyone admitted they’d struggle to say no to “the call” and I should accept it as a platform to get cracking, perhaps becoming indie later. Yes. Very sensible. Probably the right thing to do. Yet I couldn’t shake the feeling that indie was still for me and the longer I waited to hear back with a decision, the more convinced I became. Let’s face it, did I really want to work with an editor who had kept me waiting for nine months, then told me I’d be next, then kept me waiting another fortnight?

Let’s return to the bad day. I logged on to my computer and there was an email from the ePublisher, a day shy of two weeks since I was told I’d be next. And it was a strange email because it didn’t say “no” but it certainly wasn’t “the call”. Instead, it was a further apology for the inexcusable wait and a thanks for my patience (believe me, I have NOT been patient!) Then there was something nice about the premise and the setting. Then there was something not so nice about it needing further development and three tips to help me improve this book and “future ones”. I’m not going to list these and declare that I disagree strongly with these tips because that will sound like I’m being all defensive. All I’ll say is that feedback is subjective and the three points raised are ones that my NWS critique and beta readers also raised … but in the opposite way i.e. they think I’ve done those things very well. Who’s right? Who knows?! I’d like to go with the NWS critique and my beta readers. There’s more of them. My little army!

As for the end of the email, it just said to ask if there were any further questions. That was it. No, “so regretfully it’s a no from us but we wish you every success in your future writing” or “please do these changes and resubmit” or any other variation on these themes. It just ended. No offer. No rejection. No next steps. No good luck message. Have I really waited nine months to hear that?

Four submissions are outstanding. I’m sure one must be a no as this is the other ePublisher who I pitched to, who wanted a full, who didn’t respond and who hasn’t replied to chase emails despite a promise that everyone will hear either way. The other three will, I am sure, be rejections but I won’t prolong this post with the reasons why.

I actually cried when I read the email this evening. I cried lots. Those proper fast-flowing tears that drip down your cheeks and wet your blouse and feel like they’re never going to stop. And it wasn’t because I’m upset at the rejection. I’d believed I’d been rejected a long time ago and somebody just forgot to tell me. No, that wasn’t it. It was because I’d been built up only to be trampled down again. It was because I’m frustrated as a frustrated thing that’s really frustrated with this whole ludicrous dance we do to try and get noticed. And it was because, quite honestly, I’ve had a crap day and it was the straw that broke the camel’s back. I nearly cried at work so I was already teetering on the edge.

Have you ever been interviewed for a job that you don’t really want but you need a job because either (a) you hate your current job and are desperate to leave or (b) you’re out of work and desperate to be earning again? Do you find yourself hoping it’s a “no” so that you don’t have to make the difficult decision as to whether to accept or turn it down. I’ve been there several times with jobs and this situation reminded me so much of it because, deep down, I wanted a no so that the decision would be made for me and I wouldn’t have to push indie aside for fear of turning down a publishing deal. I got what I wanted, didn’t I? The decision has been made for me and that particularly publishing footpath leads no further.

But is it a case of be careful what you wish for? Watch this space …

 

I can’t sign off without saying thank you so much to the wonderful kindred spirits that are Jo, Alys and the other Write Romantics for their valuable guidance, support and advice and to honorary WR Sharon Booth. And to hubby who let me cry on him too. There may have been some snot in there too. Sorry about that! xxx