Back to the start again

A week or so ago, I was given the launch day for my debut novel, ‘Searching for Steven’. I knew it was going to be June but I’d got it into my head it would probably be late June. It’s Wednesday June 3rd! Eek! That’s only just over four months away!

PhotoFunia-6aa56c2Things are starting to happen. I’ve had my marketing plan from my lovely publishers, So Vain Books, and I’ve had a first draft of my book cover to check I like the concept. Either late next week or early the week after, I should receive my line edits. I have no idea what this will entail. I’ve been very lucky because my structural edits which I received in October last year required very little work. I was asked to address two points in the book where it seemed like the action didn’t quite end. This required an additional sentence in each case so very easy. I was also asked to tone down a chapter where a character was a bit under the influence. When I re-read it, I could see it was a bit over the top and my publishers suggested a slight tweak that I was able to run with. I think the chapter is much better as a result. The challenging part was the start. I thought I’d already blogged about this but I’ve looked back over my posts and I can’t see one. Please forgive me if I have covered this already and am just not seeing it!

Going back and re-writing the start of ‘Steven’ was my worst nightmare because it has been my nemesis in the decade I’ve been working on the book. I am not exaggerating when I say there have been about 40-50 different starts. In ‘Steven’, my protagonist Sarah moves back to her seaside hometown of Whitsborough Bay in North Yorkshire to take over her Auntie Kay’s florist shop. In early versions of the book, this was because Auntie Kay had died and Sarah had inherited the shop. I therefore had the book starting at a funeral, a will-reading, sitting in a cafe with her best friend reflecting on the loss, getting a phone call at home with the news of the death and about six or seven other variations around this theme. Then a writing friend read one of the variations and cried, ‘No! You can’t kill Auntie Kay!’ And I suddenly realised she was right. Although Auntie Kay was dead in my book, she’d become a real character in my head and I’d grown to really like her. But why else would Sarah move back home and take over the florists if her Auntie hadn’t died. Then it struck me: she could decide to retire and travel the world. Perfect. Auntie Kay was very happy to receive this news instead of a death certificate! Great news for her but not so great for me. How would I start the book now?

The answer was pretty much anywhere. I had Sarah at work missing out on a promotion, at home ending a rubbish relationship, travelling home to Whitsborough Bay after she’d split up with the boyfriend, or being in Auntie Kay’s shop and being told the news that she wanted to give the shop to Sarah to name just a few. I started the story when she was in primary school. I started the story when she was in senior school. I started the story in so many different guises that my head was spinning!

In summer 2013, I attended the RNA’s annual conference and pitched the book to two publishers. They both loved the premise and my voice which was incredibly flattering. They also both wanted to see the full manuscript. At this point, it started with Sarah travelling home to see Auntie Kay and getting the news about the shop. The MS had been way too long so I’d cut out a lot of what went before around ending a rubbish relationship in order to get on with the main story. One editor liked it but wanted to see a bit more action e.g. splitting up with the boyfriend (the chapter I’d cut) before going home. The other wanted more of a motivation as to why she was so keen to meet The One (it is a romance story, after all). Both their comments triggered a lightbulb moment and I came up with a start to the book that got the action and the motivation. Yippee!

PhotoFunia-6aa69bcProblem was, although So Vain Books loved it, they were concerned that it might set the wrong tone for the book with anyone dipping into the first chapter before buying. They were absolutely right. The book is fairly light-hearted and the beginning wasn’t.

I emailed them to say I’d be delighted to make a change to the start but HELP!!!!! I explained my million variations. At one point, I’d written a chapter that I did really love and I still had it. I felt it might be what they were looking for. I edited it a bit as some of the points made in it were no longer relevant to the rest of the story and sent it over. They loved it. Phew!

So now I wait to see what the final editing stage will bring. In the meantime, I’ve pretty much written the first draft of book 3. It needs a lot of editing as I’ve made a major change to it which I’ll talk about in another post but it’s been really timely because, as a result of finishing the trilogy, I know there are some minor tweaks I want to make to ‘Steven’. I want to change the job of a minor character in book 1 who’s a major character in book 3. I want to change the name of a village because I’ve really gone off my original choice of name. I need to change someone’s age. Little things like that. The great thing is that I have the opportunity to still do that. But there will hit a point when I can no longer tinker. Very scary!

I’m now really pleased with the start of ‘Steven’. It’s been a very painful process but I’ve got there. Funnily enough, the start to the two sequels has caused me no problems at all. I tinkered a bit with book 2 and book 3 hasn’t changed at all. Whether I planned it better because I didn’t want to go through the pain of book 1 again or whether it was easier to know where to start when the book’s a sequel, I’m not sure. Whatever the reason, I’m glad I don’t have to go through it again. Unless, of course, my publisher doesn’t like the start of either book. But we’ll cross that bridge if we come to it.

Happy reading and writing 🙂 xx

A Space of my Own

I am very excited at the moment because I have finally got something that I’ve longed for in ages; my very own writing space. All mine.

ImageWe moved to our current house a little over three years. Our previous home had been a big Victorian three-storey five-bed end of terrace property in town. As we only have munchkin, this meant three spare bedrooms so hubby and I had an office each and there was still a spare bedroom for guests. I didn’t write as often in those days. I wanted to but I watched Emmerdale, Coronation Street and lots of other programmes until I realised that I could claw back time if I pretty much gave up TV. So I did. But I still found lots of distractions to keep me from writing.

When we moved to our current home – a newish-build four-bed house – having my own office didn’t seem that much of a priority. I’d stopped working from home and I didn’t write that often so why would I need my own space. Surely a spare room for friends and family to stay was more important? Thing was, family and friends never came to stay. We bought a new bed for the room and it’s been slept in four or five nights during three years. Whereas I have ditched the TV (mostly) and write every spare moment I have (ok, so I faff about with social media as well but I should be writing!) and have far more need for a writing space than our non-existant guests have for a bed.

ImageExcept hubby didn’t see it that way. I worked from home for a year and we shared an office and, when I started working in an office again at the start of last year, it was even harder to persuade him that I needed my own room. But then I began annoying him. Not deliberately, mind; I’m not that mean. My small desk seemed to be permanently stacked with papers and, every so often, I’d feel the urge to tidy them. Shuffling papers is apparently a distracting sound. Sometimes I like music on and sometimes I don’t. Sometimes he wanted music on and sometimes he didn’t . Yes, you’ve guessed it; these times never corresponded. He’d annoy me too. He can work with TV programmes or films streamed through his laptop. I can’t work at all if the TV is on because I’ll watch it whether I’m interested in it or not (may come from watching TV so rarely so I grab it where I can!)

It was my birthday at the start of May. A few months before, I told him that what I wanted would only cost a tin of paint and a few shelves. I wanted my own writing space. “It’s not going to happen,” he said. “It is,” I replied. And it finally has. Whether it’s three months of increased pressure that has got to him or sympathy for me having a minor health-scare last week, he’s caved in. There are conditions. I have to keep it tidy (no more piles of paperwork on my desk) and I have to make more time for the munchkin when I get in from work instead of disappearing into my writing sanctuary. I’m not convinced she’ll want my time as she’s usually watching something on TV or engrossed in a game of schools but I’ll do my best to be a better mum and try not to be insulted at the suggestion that I’m not.

ImageSo this bank holiday weekend has all been about tackling the spare bedroom. That would be the spare bedroom that had become a dumping ground because, with no staying guests, that’s what happens to spare rooms isn’t it? It took me several hours on Friday night and a couple more on Saturday morning to clear all of this out and it took me until Sunday to finish painting. I have a stretch of about a foot of unglossed skirting board to do because a large piece of furniture blocked me from doing it at the weekend. I need a couple of shelves putting up and there are still a few more boxes to unpack (not quite sure where the stuff is going to go but I’ll find somewhere eventually) but, other than that, I’m pretty much there. And I love it!

I haven’t actually done any proper writing yet i.e. on my novel rather than social media or this blog but I’m excited about doing that. I’ve surrounded myself by inspirational messages and gorgeous things. They don’t all match, there’s a complete mix of styles and colours but the room brings together the things I love – reading, writing, teddy bears and pretty things.

ImageI think hubby approves. He stood in the doorway earlier and said, “I think I might move in here”. He had the opportunity. As the one who works from home, I did say he could have this room instead (it’s slightly bigger) but he decided to stay put so he’s made his choice. This is MY space. ALL MINE!!!

Time to write … ooh, is that tea I smell? Perhaps after that then …

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These are a few of my favourite things!

It was my birthday at the start of this month and my husband actually excelled himself with his gifts. My main gift was to go to the Romantic Novelists’ Association (RNA) Conference in July so he just needed to get me a few small bits and bobs from him and our 7-year-old daughter. He apologised after I’d opened them for them being “not very exciting.” My instant response was, “You may find these boring but, to a writer, these are incredible gifts.” You see, he’d actually put some thought into it and searched online for gift ideas for writers and, as a result, had bought me:

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  1. A biro with the engraving, “write bestseller with” on it (I know that’s not grammatically correct but “with which to write my bestseller” would have taken up far too much space 😉 ) And it’s my favourite colour; purple
  2. A book called “642 Things to Write About” by The San Francisco Writers’ Grotto which has, surprise, surprise, 642 ideas to get your creative juices flowing. It’s brilliant. Any one of those ideas could prompt a character, a scene or even a whole novel!
  3. A “Books to Check Out” journal where you note down books you want to read, books you’ve enjoyed and books you’ve borrowed or loaned to others. Fabulous

 

On top of that, he got me a book, CD and DVD. What a brilliant set of wonderfully imaginative presents! He may have thought them boring but, to me, these are the things that writers love!

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Writers themselves are brilliant buyers of gifts. My wonderful Write Romantic pal, Jo, sent me a gift that included a notebook, pen and a gorgeous paperweight with the word “Dream” in it. How very appropriate.

I have another writing friend, Sarah, who isn’t in The Write Romantics as she writes children’s books. We met about four years ago. We don’t see each other very often but we have always bought each other a birthday gift and I think we deliberately keep this up because we know that we will buy each other a fabulous writing gift; the sort that we’d like to buy ourselves but can’t justify spending the money on. Over the years, she’s bought me some wonderful items. This year it was a set of Emma Bridgewater stationery, which I love, but one of my favourite gifts ever was this gorgeous planner. I can’t wait to get my own writing space so I can put this on my wall and use it properly.

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I’ve always loved stationery, even before I had any thoughts about being a writer. I have three weaknesses: coloured pens, notebooks and pencil cases. I’ve got about eight pencil cases which is a bit ridiculous for someone who doesn’t go to school! I daren’t count how many notepads. I’ve asked hubby to take some pictures of them but, sshhh, don’t tell him that this doesn’t reflect the full collection! I buy them mainly when they’re on offer or because they’re simply too beautiful to resist. I like to use a pad to out each novel my they have to be right for novel. When I came up with the idea for book 1, I soon realised it was going to be a trilogy and I scoured bookshops, stationers and supermarkets trying to find three notepads that were part of a set yet different. I finally got a set that had different colour flowers on them and then I discovered some Paperblanks in WH Smith. One of them would set me back nearly double what the original three had cost but they were just so gorgeous. If you’re a Paperblank fan, you’ll know exactly what I mean. They are hardback, have quality paper, a little envelope in the back and a flap that closes over onto the front with a really satisfying thunk. How many times must I have visited WH Smith over a two-three week period telling myself I couldn’t afford them. I must have lost the battle because here they are and I’ve used one per book and not regretted the investment at all.

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Book 4, however, has moved completely away from the Paperblanks as, although it’s set in the same place, it has a new cast of characters and I wanted to start completely afresh. Boots were selling these over Christmas. Aren’t they gorgeous? In fact, cute or what? as they say on the front! The pages inside are pale pink with the owl motif on one side of the page and the bird on the other.

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Of course, something so beautiful needs a beautiful set of pens. Hello Stabilos. Look at all of those beautiful colours *Pauses to gaze at them dreamily* I’ve got four main characters in book 4 so I’ve been using a different colour to map out each one. Little things like that excite me. Is that sad? The Stabilo Boys also serve as great editing pens as I always have to print off a paper copy when I’m on my final edit as it’s the only way I can spot all the typos and consistency flaws. I’ve tried it on the screen and I can’t spot them although I do try to save the environment a bit by printing four pages per A4 page (I have good eyesight!)

So, I have my notepad and my lovely pens. There’s just one more tool I need to help me with my planning process; my planner. I used a diary when planning book 1 but then spotted one of these in the RSPB Reserve Shop at Bempton Cliffs of all places and I knew it was the tool I needed. As I plan out each chapter in my notebook, I write bullet points of the key events on the weekly planner and this helps me keep a track of days, dates and seasons.

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ImageThen it’s onto the computer and away I go.

I can’t finish this blog without a nod to some of my other favourite items of stationery so here’s a final selection of beautiful and practical things.

What about you? Are you stationery-mad? Please let me know what your must-have items are, the greatest stationery indulgence you’ve had or that one item you would love to have but simply can’t justify buying … yet!

Thanks for reading. And thanks to hubby for the wonderful photos, even if he did get stressed cos I gave him virtually no notice and he kept complaining the light wasn’t right so they weren’t his best work. They’re brilliant and better than anything I’d manage!

Julie xx

A bit of tea & sympathy is even better with cake!

I’m a huge fan of the Eurovision Song Contest so was glued to my TV for about 3.5 hours last night getting seriously envious of the skin and figure of bearded drag-Queen Conchita Wurst who took Austria to the winning spot with a massive 290 points. Inspired by Eurovision, I began writing a post about what makes a winning song and quoting some dodgy lyrics from the past. It took quite a bit more research than expected so I had to leave it part-written to go out and fulfil my afternoon plans. However, having got back from my afternoon out, I’ve ditched the Eurovision post in favour of inspiration from my afternoon instead.

You see, this afternoon I had something as good as a child-free afternoon of writing. I had tea, sympathy and cake with two writing friends (Alex and Sharon). We talked about writing solidly for four hours, only halted by closing time at Costa. I could have stayed for hours more and, driving home, I thought about what an amazing support network of friends I have with The Write Romantics and with Alex (who is also a Write Romantic) and Sharon which then got me reflecting on friendships and support groups throughout my life so far.

ImageWhen I was at primary school, I don’t remember having a big circle of friends. I was one of these kids who played with most other kids and dipped in and out of groups. There were a gang of kids within a 3-year age range in my street and the next who tended to hang around outside of school and I was a leader in that gang but we didn’t interact at school. By the time the oldest went to senior school, the gang fell apart because it simply wasn’t the done thing for senior school children to mix with primary kids!

Senior school overwhelmed me. With seven or eight feeder primary schools plus outlying villages, it was enormous. Most of my friends from primary school were disbursed amongst different classes and I felt really alone. I had a friend from primary school who I hung around with in my 1st year and then a new best friend (let’s call her Emily) for the next two years. We were inseparable while we were in the same form class but she found a new best friend by 4th year who was prettier and slimmer and therefore a better boy-magnet then me. Emily and I were still allegedly best friends until we went away for university but I’d say it was a toxic friendship and one I don’t miss.

In college, I was part of a small group of four but always felt like the outsider and it was the same when I started university. The first time I really experienced a great group of friends who supported each other was on my year out. There were a group of us who were on our placement year and we mixed with the graduate trainees with the bank we worked for. It was amazing. There was always something going on and I thought I’d found friends for life. But things don’t always work out as expected. Without email or mobiles, we lost contact during our final year at university and when a few of us returned as graduate trainees ourselves, I found myself on the outside of a huge clique. I don’t know how. I don’t know why. The next couple of years were a very lonely place although I did have a small group of very good friends from my final year at university who kept in touch and met up regularly.

Then, in my mid-twenties, I became part of a huge circle of friends. It felt like it had done on my year out again. We all worked for the same bank but had met through a work social club that organised adventure activity weekends. I felt so at home with like-minded people. We all loved being outdoors, challenging ourselves to abseil, gorge-walk, mountain-bike, surf or whatever we were doing that weekend. We all worked for the same company. And we liked beer! Once again, I thought I’d found friends for life. But one by one we left the bank to further our careers and, even though the love for the great outdoors hadn’t gone, the activity weekends had (because they were organised through work) and the connection of work had gone too.

After that, I moved around the country with work and never had a big group of friends again. I have some amazing friends I’ve gathered along the way from Guides, university, holidays and work but no big groups. Until I became a Write Romantic, that is.

One of the friends I met through doing all my outdoor activities used to say that we wouldn’t be friends long-term because, once we left the bank, we’d have nothing in common. She said friends come and go and it’s not worth trying to make a friendship work for the long-term. I used to find that quite an odd and disturbing outlook on things. But she was absolutely right. Perhaps things would have been different if social media had been around but it wasn’t so our friendship did, indeed, fall apart. I tried not to let it but she stopped returning my calls. Hard – but valuable – lesson to learn. 

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With The Write Romantics, we haven’t actually all met yet. I met Jo virtually and we set up the blog, then I met Alex at a dinner organised by another RNA-member. Alex met Sharon, another member of the New Writer’s Scheme, through Twitter and, as the three of us all lived within an hour of each other, we met up around this time last year and then again today.

Quite quickly after we started the blog, Jo and I realised we couldn’t sustain regular entries from just the two of us so we opened up membership and are now nine.

We’re different ages, live in different parts of the country (and one even lives in Australia), we write different genres and we all have very different backgrounds but the one thing that will always connect us is writing. We may move, we may change jobs, we may change partners, we may change other hobbies but the nine of us (and Sharon as our honorary member) will always, always, write. Because it’s in our veins. Because it’s in our minds. Because we have to. For that reason, we are – and will continue to be – the most amazing support network for each other. 

It’s been said many times that writing is a solitary occupation. It’s also one where you have to be so tough and resilient to face the rejections as you try to get published and the bad reviews when you do get published (whether this be traditionally or self) and we all have our moments where we wobble like crazy. Moments where we want to give up. Moments where we don’t think we’ll make it. Moments where we don’t believe we’re good enough. But all we need to do is put something on our closed Facebook group or message one of the others and we have tea, sympathy and cake to cheer us up. Most of the time this is virtual but today was so lovely to have it face to face. Alex, Sharon and I are all working on “that difficult second book”. We’re all thinking about the future and what it holds. And we’re all talking about self publishing and what this may mean. Today was so valuable to talk through where we are with our writing journeys and our hopes for the future. I think I may have talked far too much but I do have a few things clearer in my own mind about where I personally want to go with my writing. I feel even more positive about the latest rejection that came through last week. And I have a new idea for a novel inspired by a line in a song I listened to on the way home.

So thanks Alex and Sharon for today. Thanks to the Write Romantics for the last year. And thanks to all the friendships that have come and gone in my life because you’ve made me the writer I am today. At the RNA Conference last year, writer Julie Cohen ran a brilliant workshop about theme. I realised that all the plots I had for novels have a theme running through them. Yes, they’re all romance stories because that’s the genre I write but they all have the theme of friendship – lifelong friendships, friendships changing over time, toxic friendships. You name it, it’s in there. And I know it’s because of my experiences throughout the years as friends have dipped in and out of my life, most leaving fond memories but some leaving scars. I’ve also learned from those who’ve stayed in my life, some for the long haul, who I may not see very often (or even at all) but who are always there thanks to the power of social media and some incredible shared experiences over the years. Every one of these friends who have come and gone or stayed have given inspiration to this writer who won’t give up because she has friends around her who understand, who support her and who, quite simply, won’t let her. You know who you are xxx

Let’s Be British & Talk About the Weather!

I’m going to cheat a bit with my posting as it was my turn to pen the Saturday Spotlight on The Write Romantics blog yesterday so I’m using the same post with apologies to anyone who follows both sites!

 

Daphne Du Maurier’s Jamaica Inn. Never has a BBC adaptation caused so much controversy. Complaints of mumbling, bad accents, incoherent speech etc. were rife. The BBC claimed “technical sound difficulties” on night one. Can’t say I noticed any difference by night two. I found myself faced with two choices – give up or put the subtitles on. I settled for the subtitles. I usually put Film4 on while drying my daughter’s with subtitles on because I can’t hear over the noise of the hairdryer. Having them on without the hairdryer was definitely a first.

But the purpose of my post today is not to discuss poor sound quality. I want to be extremely British and talk about the weather. I promise you that there’s a point to the Jamaica Inn reference. You see, the other thing that slapped me across the chops whilst watching the three episodes was the weather. Darkness enveloped the bleak moors, wet mud caked the bottoms of dresses (except in the continuity error when Mary Yellan ran across the moors at one point and her dress was miraculously clean but let’s not go there), dark clouds flew across grey skies and rain lashed down. Then, at the very end, we saw our first glimpse of blue sky and fluffy clouds.

I haven’t read Jamaica Inn (sorry, such a pleb) but I wonder if the weather in the dramatization matches the book. As it’s described as a “dark, gothic novel”, I’m imagining it does. The dark skies, fog, rain and mud all helped absorb the viewer in the remoteness, desolation and desperation of the cast stuck in a bleak place where smuggling and murder had become a way of life.

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The use of weather in writing is a subject that’s particularly close to me at the moment as it was one of the things that was flagged up in my disappointing NWS report for book 2, Getting Over Gary.

I’m very conscious that my natural style of writing is dialogue-heavy/description-light so I specifically spent time during an edit of book 1 making sure I covered all five senses, described my settings, and captured the weather. I thought I’d done this well and my reader of book 1 clearly agreed: “you describe things in just the right amount of detail, so that there’s enough to give an idea of the place, but not so much that it’s noticeable. I was very impressed. The setting is easy to picture (and quite stunning in location)”.

So how come book 2 got: “The North Yorkshire coast is beautiful, potentially forbidding and romantic all at the same time. A really excellent place to set this sort of story. So why not make more of it?” Oops! As soon as I read that, I smiled wryly to myself as I’d completely forgot to do my special edit to add in the stuff I know I leave out. Thankfully, it’s not tricky to do this and I know I did it well in book 1 so I can apply that same approach to book 2.

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The use of weather in books is fascinating. There’s the obvious idea that it helps us capture the seasons and therefore move the book through the passage of time but it’s even more powerful in that it can really help set moods and emotions. In book 1, I have quite a traumatic opening scene for my protagonist and the emotion is heightened in this scene through a thunderstorm. Throughout the book, heavy rain or storms make an appearance at various other points of turmoil to the point that the protagonist actually fears storms because they create such a sense of foreboding for her. In book 2, the protagonist’s “challenges” are in the height of summer; not so many thunderstorms around. And I didn’t want to repeat myself with the same storm technique to create mood so, instead, the fun and laughter enjoyed by families during the summertime at the seaside act as a stark contrast to her sorrow.

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As well as heightening emotion, weather can be the catalyst for something to happen. I’ve mentioned before on this blog that one of my favourite romcoms is 27 Dresses. In a key scene in this film, the two leads have a heated argument whilst she’s driving. Rain pelts the car (good mood-building weather) and then the car aquaplanes, leaves the road and gets stuck in the mud. This means the leads have no choice but to spend the night together and this is the catalyst for their relationship developing. The argument wouldn’t have been nearly so dramatic if there’d been sunshine and the accident wouldn’t have happened.

Another way of using weather is to trigger something e.g. flood-waters carry a dead body downstream which would have remained hidden otherwise or a ship is wrecked at sea in a storm and the survivors are washed up on a strange island. My imagination was particularly captured recently when I read an article in the Huffington Post. Two 17-year old girls went missing in 1971 in South Dakota. What happened to them had remained an absolute mystery until last autumn when high spring waters followed by a drought revealed the wheels of a car upside down at the bottom of a creek. It was the car they’d last been seen in and skeletons were found in the front seats. It would appear to have been a tragic accident rather than foul-play. Those poor girls in their watery grave and their poor parents not knowing if they were alive or dead for 42 years. I don’t write about murders or mysteries but still story massively triggered my “what if …” reaction. What if they’d never been found? What if they’d been found with bullet holes in them? What if the car had been found but the bodies inside weren’t theirs? What if one of them had been pregnant? What if other cars were found in the same creek? What if something sinister was found in the boot (sorry, trunk; this was in the USA)? And suddenly I had a load of plots for a different genre forming in my head which is not good because I already have book 3 in my trilogy and the outline of another 3-4 books of the same genre already in my head. Too many characters. Too much to think about. I feel a storm brewing in my head! And that brings us nicely back to the weather.

ImageI thought I’d finish this blog post with some more of my husband’s fabulous photographs (all the earlier ones are his) which are potentially really evocative of mood. This first one is a picture I absolutely adore. It was taken at the Armed Forces Day in Scarborough in summer 2013. My 6-year-old (at the time) was dressed in patriotic colours and we’d taken a break from the crowds. She wandered away to look at the fairground and hubby captured this shot:

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If you were to write a story about this image, what would it be? When would it be set? Would the mood be one of a happy childhood or is there something a little spooky or sinister about this? It generated a lot of debate when hubby first posted it on Facebook. Whilst everyone loved it, the jury was out as to whether there were dark undertones. I personally think it’s just very atmospheric and don’t feel the need to label it happy or dark.

 

 

 

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What about this one? Clearly it’s a very different time of year. This was taken round the corner from where we live in the winter of 2012/13. Excitement and anticipation of first-footing in the snow or something a little more eerie? I have this image of a dark shadow appearing under the lamppost …

 

 

 

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Here’s another completely different one. Same time of year but a very different feel. Is it a calm feeling or is it one of loneliness? Who is that man in the middle of the field and what’s he doing there? He was actually a dog-walker and you can see the dog in another shot but, without the dog, why is there a man stood in the middle of a field early one morning. Who’s he watching?

 

 

Finally, I’ll leave you with three contrasting photos of the incredible power and beauty of the sea on the North Yorkshire Coast. You can create your own stories from these…

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Thanks for reading. Thanks for looking. And thanks to the very talented Mark Heslington for allowing me to use his photos. Right, I’m off to inject more weather and scenery into book 2. Feeling pretty inspired after looking at these. I can bring that beauty to life. Or at least I hope I can! I’d love to hear your stories of great books or films where you think the weather has been used to good effect.

Julie xx

 

Give me just a little more time …

I’ve been home alone for nearly an hour this evening. My husband left for archery 50 minutes ago and my daughter hasn’t been dropped off from her Nana’s yet. The cats haven’t yet reached point in the evening where they stare at me and squeak annoyingly until I relent and feed them so all is calm and quiet. Which would be the perfect time to sit down and write. Yet how have I spent this time? I need some tea so I managed to spend about 5 minutes putting a pie and chips (hmm, healthy!) into the oven but they’re not going to be ready for 20 mins so I haven’t spent any time eating yet. I’ve changed out of my work clothes which took all of a minute. And I’ve responded to a text so that’s probably about 7 mins accounted for. As for the rest? I’ve flicked around on Yahoo! news, checked my empty email inbox several times, done a Bitstrips on Facebook and stared at my news feed for a very long time waiting for someone to say something interesting. Which, incidentally, they haven’t. As in nothing has appeared as opposed to someone has said something that I rudely deem uninteresting.

So why am I wasting this really valuable writing time? 

Several years ago, I met a writing friend. As a single mum with a young daughter, she was taking some time out of work and I used to envy her the days she could spend in writing heaven, particularly when her daughter was at nursery and then school. I, on the other hand, was commuting several hours a day and working long hours in a demanding job so time was exceedingly precious. Yet we used to often discuss how funny it was that sometimes I could get more writing done in a week than she could and we concluded that, the more time you have, the more time you waste. Well, maybe not waste but you do find other things to do. When your writing time is snatched, as mine was, you tend to just knuckle down and make the most of it.

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I decided to pack in my crazy commute and long hours a couple of years back and after a couple of job changes, I’ve now settled into a role that’s very local. So local that I finish work at 5pm and am home by about 5.20pm. Luxury. Especially for someone who spent 4.25 hours of her day commuting this time two years ago! So now that I have the luxury of time, I should be getting a lot more writing done. But I’m not. Yet I am spending most evenings in the office in front of my computer so why am I not upping my word count?

Some of my time can be accounted for. I run a Brownie pack so that rules out a Monday evening and I need to spend some time planning. But I’ve been doing that for 4.5 years. It’s part of my routine. I also have responsibilities for The Write Romantics blog and regularly communicate with the group on our closed Facebook page (our support network). But we’ve just celebrated our one-year anniversary. So that’s part of my routine too. I’ve started this blog but, realistically, I post less than once a week and blogging is also part of my routine. In February last year, I started a bootcamp and blogged about it after every session until I stopped going in January this year. That’s four times a week! Now we’re maybe talking three times a month. So that’s also part of my normal routine and is a lesser commitment than it used to be.

So, I work shorter hours, I don’t commute, my other responsibilities haven’t changed (become fewer if anything) and I do spend every evening in front of the computer. Yet I’m getting less writing done. Deep down, I know the reason why. There are actually two reasons and, if we really need to give them a label, we’d probably say “crisis of confidence”.

Let me explain …

It took me over a decade to write my first novel. During that time, it got submitted to the NWS twice (to great reviews), went to some beta readers (also to great reviews), was pitched to two editors at the RNA Conference last summer (both of whom wanted the full MS) and is now out there seeking a publishing deal. I’m happy with the book and on up-beat optimistic days, I convince myself that it’s going to find a home because other writing friends who have submitted to certain publishers after me have had regrets already which would indicate I’m in a process and successfully progressing through various stages. (I hope! It sounds more pleasing than the idea that it’s still on the slushpile completely untouched!)

BUT … and it’s a big BUT which is why I’ve put it in capitals … I had that “difficult second book” to write. And I’d set myself up for an even bigger challenge by making it a sequel. A double viewpoint one too. All change! I’d learned so much about the writing process during the book 1 decade that I actually wrote book 2 in seven months! I had my beta readers lined up and I have to say that I was more nervous about them reading book 2 than I had been about book 1. What if they didn’t think it was as good? What if they didn’t like the dual viewpoint? (Which would be a big EEK for book 3 which would be told in triple viewpoint). What if they didn’t think there was sufficient storyline to make a sequel? My relief was incredible when they all loved it. Phew. The ultimate test, though, would be the submission to NWS. As I submitted early in the process (you have until end August), I naively thought it would be back with me in a few weeks. I was completely forgetting that the reviewers are writers themselves with their own deadlines and it was very possible I may be delayed by one of those. It turns out I have been although it will be posted back to me this week. I’ve therefore been in this limbo knowing that my readers liked it (yippee) but wondering if the critique may come back full of development areas. Until I know this “professional” verdict, I’m almost afraid to progress with book 3 (which I’m a third of the way through).

Book 3 is the final book in the series and, as I’ve already said, is told from three points of view but, in its early draft form, I’m looking at it and feeling it’s too episodic i.e. we run from something happening in person 1’s life, then to person 2’s, then back to 1, then 3, then 2, then 3 again and so on. It felt like something was missing. Then I realised what that something was. My main character’s character arc. She doesn’t change by the end of the book. She doesn’t learn something. Well, she does change and she does learn something but not in the way she should for a character arc to really satisfy. I know what the arc will be but that means shifting round some key events and, typically, they’re the events that have already happened which means some major re-work. Do I do this now or do I just finish writing then shift it around?

That’s it, then. That’s the problem. I’m scared of what my critique of book 2 will reveal and I’m being overly critical of what I think would be revealed if book 3 was about to be critiqued and both those things together have put me in ostrich mode where I’m simply avoiding writing because that’s easier than facing up to the fact that I may be a one-book-pony! Ok, ok, stop shouting at me. I know I’m not really. I know my beta readers loved book 2 and, actually, so did I when I read through it (so much more refreshing than having read book 1 about a million times) and I know book 3 has great potential but is just going to be a little longer and more challenging to construct than book 2. Mind you, as long as it’s not longer than book 1, that’s fine by me!

I’m actually feeling better for having put fingers to keyboard. It’s probably the most writing I’ve done this month and it feels good to let it flow. I’ve now had my tea, I’m about to wash my daughter’s hair and sort out bedtime routine but, at 8pm, she’ll be going to sleep and all will be quiet (once I’ve fed those pesky cats) so that’s a great opportunity to get cracking and do some writing. Face my demons. Conquer this thing. Although fellow Write Romantic Helen Phifer’s second novel ‘The Secrets of the Shadows’ was released yesterday and, according to my Kindle, I’m 32% of the way through it. Just like her debut, ‘The Ghost House’, it’s really gripping. Maybe I’ll just finish that first …..

Pick my product! Pick my product! Buy me! Buy me! Now!

I’m sure I’m not alone in saying that, every so often, a headline appears on Yahoo!’s home page that intrigues me and that, instead of doing what I’m meant to be doing (writing!), I click through to it. Come on, you know you do it … that’s why advertisers pay a fortune to appear on these links. Sometimes I’m glad I did as I read something genuinely funny or interesting but, more often than not, it’s a waste of my time.

About a week ago I was particularly intrigued by was this one:

http://uk.movies.yahoo.com/secret-life-of-walter-mitty-wins-worst-product-placement-award-123218430.html

I studied marketing at university and, although I’ve never followed a career in marketing (I went down the HR route instead), I’ve always been fascinated by adverts and product placement. I confess I have neither read nor seen The Secret Life of Walter Mitty but I’m now curious to do so simply because of the apparent randomness of product placement. Over the years, this is something I’ve noticed become more and more blatant in films and TV programmes and it’s quite often laughable. I imagine Coca Cola and PepsiCo have quite brutal fights over the right to have the stars drink their brand of pop when, truth be told, it wouldn’t make a jot of difference to me as I’d pick the one that I like the taste of best (Diet Pepsi in case you’re curious). However, it clearly makes a difference to those who are perhaps slightly more influenced by these things. Or they wouldn’t bother.

A couple of favourite examples of product placement are two films that blatantly satire it: Wayne’s World and The Truman Show. Two very different films but love them both … and their approach to advertising!

So what does this have to do with writing? Quite a lot actually. It’s only a matter of time before the massive reach of books is exploited by advertisers. There are examples out there already but nothing on as grand a scale as TV and films but how long will this last? 

In my debut novel, Searching for Steven, my protagonist has two cats. Good friends of mine had two cats who they’d named Caffrey and Guinness. As our student days weren’t long behind us and we were very fond of Irish ales, this seemed a great pair of names. Inspired by this idea, I named Sarah’s cats Cadbury and Buttons. I love chocolate so why not? But then I started work as a Recruitment Manager for Nestle and it seemed very wrong to be promoting the competition so I changed the names to Kit and Kat which I thought was genius on another level (small things amuse me!) I also thought it would be a great little story when (if) I got my publishing deal and I could maybe try and wangle some sponsorship out of my employer in the meantime. It wasn’t to be. I never got the book finished while still working for them! When I left Nestle four-and-a-half years later, I decided to change the names again. But I couldn’t do it. I’d lived with Kit and Kat for so long and the poor little things didn’t deserve another identity crisis.

Last weekend, I went away to a lovely lodge overlooking a lake and asked my husband to take some photos of me writing on the balcony to use on this blog. His twin sisters were with us and they decided that the pictures should include a little bit of product placement. Except it wasn’t a little bit. They dragged every branded item they could find out of the cupboards. What do you think?

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Hmmm. Even The Truman Show would be proud of that one!!!

Personally I prefer the slightly more under-stated Apple product placement …

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Plus it’s a far more flattering shot of me. Not that I’m vain. But that first one is pretty grim and a reminder that I really need to get the diet back under control. I will just point out that I didn’t then go on to trough the Flake, Walker’s Crisps, box of Thorntons etc. Well, not all in one go anyway!

Over to you. What do you think of product placement in books? Have you come across it in any books you’ve read? Have you done it in yours? Would love to hear more

Silence is golden when you’re a writer … or is it?

Wednesday evenings in my house are very quiet. Once my 7-year-old daughter has settled to bed and the cats have been fed, it’s just me and my writing because hubby goes out on Wednesday to do some shooting. Not guns. Arrows. He took up archery last summer and loves it. I usually really enjoy Wednesday evenings because I can just get on with my current WIP with absolutely no distractions and no feelings of guilt that I’m lost in my little world of imaginary friends while other members of the household may actually appreciate a bit of company.

But last night felt strange. Last night seemed overly quiet. Last night, writing was a struggle. And I realised that, for me, silence isn’t always golden. Silence doesn’t always help me write. Silence isn’t always my friend. I knew only one person could help me … Delta Goodrem. “Who?” I hear you ask. Long blond hair. Australian. Plays the piano. Started out in Neighbours in 2002. Used to be engaged to Brian McFadden (formerly of Westlife) and did a duet with him called “Almost Here”. Debut single was “Born to Try”. Know who I mean now? I confess that “Born to Try” isn’t one of my favourite tracks but I absolutely love everything else she’s done. I don’t know if it’s the piano or her particular vocals or the fact that I’ve listened to her albums so many times that I don’t need to concentrate anymore but Delta is the perfect soundtrack to my writing. Plus she writes about love and loss and emotional angst which is exactly what a romance writer needs. (Find Delta on https://www.facebook.com/DeltaGoodremMusic)

I’ve tried to write and listen to other albums and I’ve discovered that any old music won’t do. I can’t write to anything brand new or anything I’ve only heard a few times because I sit and listen to it instead of concentrating on my writing. I can’t write to anything too up-beat. And I can’t have any music on loud. I also can’t have the TV on because, even if it’s something I absolutely hate and would normally rather gouge my eyeballs out than watch (e.g. football or Newsnight), I’ll be drawn to the TV and completely unable to put pen to paper or fingers to keyboard.

Going back to last night, I will admit that, once Delta got going, so did my writing. Not particularly fast, mind, but it was better than it had been before I switched the music on.

This got me wondering whether I’m the only one who prefers a soundtrack to writing in silence and a specific one at that. So I asked my fellow Write Romantics. Aspiring writer Helen R lives in Australia (must ask her if she knows Delta!) in the suburbs and says she’s often distracted by the noise of hedge trimmers and leaf blowers so likes to put on music to drown that out although it varies as to whether it annoys her or revs her up. Lynne is similar – sometimes music, sometimes not although she’s found it can be helpful to listen to specific music to get her into a specific mood e.g. 1970s tunes if her novel is set in that time. Alex echoes this in that she does enjoy quiet but did delve into a bit of Scottish folk singing (listening to it; not doing it) when she was trying to perfect a Scottish accent in her debut novel.

Soon-to-be-published Rachael likes to listen to music when she writes, although usually something without lyrics to avoid them getting into her head. She finds that switching the music on helps her switch her mind into ‘writer mode’. Interesting. A bit like some writers making a drink in a certain mug, wearing a particular piece of jewellery or using a specific pen.

Successful novelist Helen P (2nd book “The Secrets of the Shadows” is out next month – can’t wait!) differs from us all. She tells me her writing space is in the corner of the room next to a huge TV so silence is not in ready supply. She needs to put her iPod on and drift away into her own world. What’s on her iPod? “I tend to have a playlist for each book. The last one had Frank Sinatra, Elbow, Barry White, U2, Nat King Cole, Kelly Rowland, Lady GaGa to name a few”. Eclectic mix or what?! Not sure I’d manage to write to all of those!

On the other side of the coin, Jaxx and Deirdre do believe that silence is golden. Jaxx even goes so far as to wear ear defenders to keep out the noise (I so have to see photographic evidence of that) and Deirdre needs “complete quiet” but admits that a busy main road and “a certain someone talking to the cat, singing, having TV up loud etc” pretty much scuppers her quest for peace.

It seems we’re a bit of a mixed bag although it seems we’re all united in avoiding the TV. That said, Helen R said that one of my favourite authors, Jill Mansell, writes with the TV on and it apparently gives her lots of ideas. I know that Jill writes long-hand rather than straight into a PC so I’m wondering if she can maybe find TV helpful in the ideas formation stage or whether she can switch off enough to do this at all stages in her writing. If you’re reading this, Jill, we’d love to know!

One more thing I’ll say about Delta Goodrem is that, not only does her music help my writing flow but she writes some amazing lyrics and some great song titles which would make great titles for a book. I find this quite a lot with music; I’ll hear a line or a title of a song and think “great title” and then, suddenly, there are all sorts of ideas about what the book could be about. I have a word document called “Potential Book Titles” and it’s full of ideas – many of them from songs – and a sentence or two about the book theme.

So, thank you Delta Goodrem for being the background singer as I work and thank you to the wonderful Write Romantics for helping me with this post. 

Over to you … is silence golden?

Becoming a writer is like 80s music. Really it is! Don’t believe me? …

I love dressing up. No! Stop it! I don’t mean in a saucy “ooh matron” fifty shades kind of way! I mean 70s gear, murder mysteries, theme party kind of way. And on Saturday night, I got to dig out my huge bag of outfits and go back to the 80s. The 80s for me were age 7 to 17 so meant my childhood, my first broken heart, friendships made and lost, my school years, discovering music and attempting to discover fashion. To be fair, I was briefly very trendy. I owned not one, not two, but three ra-ra skirts. I had a big perm. I had fluorescent socks (worn one pink, one yellow of course; bang on trend) and I had roller boots and a Sony Walkman. How cool was I?

So Saturday night took me back to those days. My hair is short these days so I attempted big and back-combed which wasn’t so easy but the neon was easier. Leg-warmers, net skirt, bangles, beads … absolutely gorgeous. And here’s the proof …

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Yep, pretty scary isn’t it. And also a reminder that I must get back on that diet. I’d been doing so well until I discovered the chocolate machine downstairs at work.

But what has all of this got to do with writing? I do have a point. Honest. I said I discovered music in the 80s and I still think this is the best era of music. Ever. From cheesy pop to new romantics and even a bit of Ska, I love it all. And my useless knowledge won us the quiz at our 80s night which yielded a prize of 4 main meals at the venue. Very nice. But that’s not my point. My point is that trying to become a writer is like the music of the 1980s. Bear with me …

Imagine (John Lennon): It starts with an idea and you begin to imagine your characters, your world, the dilemmas, the pain and the joy and, because I write romances, the happy ever after

It Started With a Kiss (Hot Chocolate): That’s it. You’ve got your hero and you’ve fallen in love with him. The moment he first kisses your lead, it’s like he’s kissing you too. Awww

I Know Him So Well (Elaine Paige & Barbara Dickson): It gets to the point where you know your hero better than you know your own partner. And perhaps even like him better than you like your own partner! Boy is it disappointing when your husband doesn’t behave in the same way as your hero (sorry hubby but you have a lot to live up to!)

Never Gonna Give You Up (Rick Astley): That moment arrives where you’ve written “the end”. You’ve edited then tweaked then edited some more and you realise that, unless it’s going to remain a computer file for the rest of your life, you’re going to have to let someone else read your manuscript. Eek! It’s very, very hard to let go for the first time

Relax! (Frankie Goes to Hollywood): That’s it! You’ve done it. You’ve submitted your MS for the first time, whether this be to a beta-reader or several or even a formal critiquing service. It’s time to relax. Except it isn’t really. Knowing that your ‘baby’ is being read by others for the first time ever is the most nerve-wracking thing ever. What if they hate it? What if they think you can’t write? What if you’ve wasted the last ‘X’ months/years of your life on a pile of grammatically-incorrect poorly-observed pile of twaddle. Relax is not the word

I Just Called To Say I Love You (Stevie Wonder): But then you get the call, text, email or Facebook message from your beta reader or critique service and it turns out you weren’t wasting your time. You can write. You have a great story. They loved it! You’re on your way!

The Land of Make Believe (Bucks Fizz): You do a final edit and you compile a list of agents and/or publishers to approach. You start daring to dream of that make-believe land where you can pack in the day job and write every day … and actually get paid for it. It’s time to send it out into the big bad world

Blue Monday (New Order): Your first rejection arrives. Blue Monday (or Tuesday, or Wednesday …) You expected it but it’s still hard because all you can think is …

Don’t You Want Me? (Human League): … and it appears they don’t. But you keep trying because you so desperately want someone to …

Take On Me (A-ha): Please take me on! Please!!! I’ll be a really good writer and do all the edits you suggest and meet all your deadlines. I promise. Just please take me on!

Then you get THE CALL …

Hello … Is it me you’re looking for (Lionel Richie). “She’s got it! Yeah baby she’s got it” (Venus, Bananarama). You know that Nothing’s Gonna Stop Us Now (Starship), The Only Way Is Up (Yazz) and Fame (Irene Cara) is just around the corner … except it’s not the fame you do it for. You do it because you can’t not do it. You have stories to tell. You have characters who need to tell them. And you couldn’t imagine a world where you didn’t let them.

So who’s going to Take On Me? I’m still wishing and Waiting for a Star to Fall (Boy Meets Girl). Please Don’t Leave Me This Way (The Communards). Say I’m Your Number One (Princess) and I’ll pack in my 9-5 (Dolly Parton/Sheena Easton). I’m Hungry Like The Wolf (Duran Duran) for this and, no matter how many rejections I get, I will Hold on Tight (ELO) to my dreams, just Wishing I Was Lucky (Wet Wet Wet).

I think I’d better end this post before I shoe-horn in any more 80s songs as even I can see it’s dripping in mozzarella now! Hope you liked my 80s references and they brought back a few classic 80s tunes to mind.

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