In my last blog post, I said I was heading off to the RNA’s conference and would report back ‘next week’. That should have been last week and I’ve just realised that, although I shared some photos on Facebook, I never did a blog post so here I am catching up.
The conference was at Harper Adams University which is for agricultural studies near Telford, Shropshire. It’s a small campus and ideal for an event such as this as there’s not too far to walk between the accommodation and lecture rooms. We were staying in the student halls and ours was the one covered in ivy on the right.
It was my fourth conference and by far my favourite, mainly because I felt much better about myself as a writer than I had the previous three times. I knew what to expect format-wise and I’d finally learned to the pressure off myself by not booking onto an event for every slot on the timetable, allowing some breathing and thinking space.
There were four out of the ten of us from my writing support group, The Write Romantics, in attendance, and there were quite a few Boldwood authors, some of whom I hadn’t met before so it was lovely to be able to say hello to them.
I also had a chance to catch up with some of the delegates from my March workshop. I’d been really looking forward to sitting down and having a proper chat to them all, finding out how their writing journeys had been since the workshop, but the timetable just didn’t allow it. I’d been invited to join them at lunchtime on Saturday but my pre-lunch session ran over slightly and, by the time I made it to the back of the food queue, there weren’t many spaces left in the dining room and I knew there was no way they could save me a seat at their table. I could also see that several of them had already eaten so it just didn’t happen.
I did get the opportunity to speak to several of the group, albeit briefly in some cases, but I swear time goes into a vortex and I left thinking about so many people I’d spotted but just didn’t get a chance to say hello to properly.
On the Sunday morning, we had about twenty minutes before a session started and I looked around the coffee room but realised I’d hit a wall and was probably incapable of having a coherent conversation. Doing a job where I spend most of my time completely on my own, it can be intense and overwhelming being surrounded by people. My since apologies, therefore, to anyone I didn’t get a chance to talk to.
I did get to talk to my idol, Jill Mansell, though! We’ve spoken several times on social media and met before and it’s ridiculous that I get shy about these things but I do. I actually find it hard to approach anyone already in a conversation so add in one of my writing heroes and that escalates. My Boldwood buddy took a photo of me with Jill in the background and then took me over for a proper hello which was very special.
I met loads of other amazing authors across the weekend but took a distinct lack of photos so I’ll leave the blog post here. Thank you to everyone involved in the organising, who ran sessions, or who chatted to me. I’m already looking forward to the next one.
I’m off to the RNA (Romantic Novelists’ Association) Conference tomorrow. I attended a couple of virtual ones during the pandemic but the last time I went to one in real life was four years ago when it was held in Leeds and look who I met!
They say don’t meet your heroes but not in this case as Jill Mansell was just as lovely as her books. I, however, was a gibbering fan-girly wreck and was actually shaking at the photo opp! I couldn’t believe it when I spotted her nearby and was far too nervous to approach her myself, despite a couple of glasses of wine inside me, so I asked the RNA Chair if she could introduce us!
I fell in love with romance books after reading one of Jill’s. I’d never read anything in this genre and a friend loaned me Millie’s Fling on holiday and I loved how fun and romantic it was and how it left me with the warm and fuzzies. I devoured all her books after that and, for the past twelve years or so, have annually purchased her new release on hardback and have a Jill shelf in my office.
I’m really looking forward to the conference this year for several reasons:
Being my fourth conference, I know what to expect. It’s actually at the same place as my second one so I’m even familiar with the venue
I’ve been an RNA member for a decade and know so many more people now so (hopefully) won’t have that startled rabbit situation. Or hopefully not!
I’ve taken a much more relaxed approach to which sessions I’ll attend. In previous years, I’ve chosen something for every time slot which can make for an exhausting experience. This year, I’ve allowed myself some downtime
I’ll have a chance to meet several Boldwood authors who I’ve never met in person which will be lovely
I’ll get to meet several of the participants from the RNA Learning workshop I ran in March and I’m really excited to hear how their writing has progressed since then
I won’t be having any publisher 1:1 appointments (more on this shortly)
I feel very differently about my writing
Let me explain those last couple of points…
Four years ago at that 2017 conference, I was in a dark place with my writing. I was a struggling indie selling a handful of books a week and fearing I might have to give up writing as I couldn’t keep investing all the time (alongside a demanding FT day job) with no pay-off.
A valuable part of the conference programme is the feedback slots available with industry professionals (editors and agents). I managed to secure four of these – all with editors – where I pitched a brand new manuscript called Wish I Could Tell You Goodbye.
My manuscript wasn’t complete which actually resulted in Editor D reprimanding, saying it was very unprofessional of me. Ouch! I understood what she was saying as you would never submit to a publisher when an MS is incomplete but the annual timing of the conference means that this may sometimes be the case and it’s not a requirement of the sessions to have a complete MS. Also, the humiliation to be told off by someone half my age! I felt like I was back at school!
Anyway, despite the telling off, all four editors wanted to see the full MS which gave me a massive dilemma because Editors A and B wanted it to be a light-hearted romcom and Editors C and D wanted a deeper more emotional women’s fiction story. With the MS being unfinished, I faced a decision around what direction to take it in because whichever I chose was going to rule two of them out.
While confusing, this was a very happy dilemma to have, especially for someone feeling so down about their writing. My biggest takeaway was that four editors wanted the full MS. Surely one of them would want to take me on.
Editor A asked me to submit one of my indie books in the meantime. As she wanted the romcom approach, I sent her a lighter story (what is now Christmas Wishes at the Chocolate Shop) and a more emotional story (what is now All You Need is Love). The rejection was positive but still a rejection: you write well with a lovely style. However, I’m afraid I don’t think any of these are quite right for our list at this time. I would be happy to take a look at a new idea in due course though should you wish to submit to us again.
I decided not to submit to Editor B. She’d been the least enthusiastic, I couldn’t see us working together and she wanted a romcom which, by this point, I knew wasn’t what I wanted to write and, in finishing the story, I’d stuck to my gut feel that I wanted to write more emotional stories.
I was really proud of my finished MS and had high hopes for Editors C and D who’d wanted the emotional story.
From Editor C: …think you have an interesting premise. However, after careful consideration, we don’t feel that Wish I Could Tell You Goodbye is quite right for us. Your writing is great, and there is huge warmth and emotion in your narrative. All of the women’s stories are hugely poignant, but because there were three of them, it felt at times like there wasn’t quite enough space for each story, including the tragic events before the book begins, to be fully explored. The women’s fiction market is so tricky at the moment, and what we tend to be looking for at the moment are in-depth emotional stories with a tight scope, or high-concept stories that can be pitched in a single line. I’m afraid that Wish I Could Tell You Goodbye didn’t quite hit the mark for me.
As rejections go, it was a positive one and I tried to hang onto the lovely comments about my writing which is always hard when it’s ultimately a no. I was encouraged to submit other stories so I sent the original version of All You Need is Love to them too and had another rejection: Again, there is a lovely warmth to your writing and the situations your characters find themselves in are incredibly sympathetic, but I’m afraid that this isn’t one for [us]… As you know, the women’s fiction market is so difficult at the moment, and I don’t think that we could reach a bigger audience for you than you have managed yourself. Again what is missing for me is that specific, focused concept that we could use to hook readers in with a single line. For me there were again quite a lot of characters introduced in the early chapters and I felt this did make it difficult to keep track of them all and to work out whose stories were the main focus of the book.
While I was asked to think of them again for future books, it was clear to me that I didn’t write what they wanted so I couldn’t bring myself to court further rejection and closed that door.
Which just left Editor D. Despite her telling me off, I had a feeling that she was going to be the one. She wasn’t: It was such a pleasure to meet you at the RNA conference in July and I’ve looked forward to reading your submission. I absolutely loved diving back into the world you’ve conjured here and the changes you made to the manuscript have really improved the pace and tension which is great. There was a clear improvement from the MS I read back in July. Sadly though, as the story went on I struggled to empathise with the characters as much as I wanted to. Rather than being invested in their journeys I felt they lacked the necessary depth and layers, I wanted to see more of their emotions and feelings on the page. In such a competitive book market we have to ensure we feel passionate about the book and characters and sadly I just couldn’t find myself getting lost in Alison or Karen’s story as I couldn’t connect with them. In terms of next step I recommend looking at how you can weave more depth into the characters, offering readers different layers to uncover from them all.
This floored me. The feedback I’d received from readers of other books suggested that getting lost in the characters’ stories was a strength of mine and that I could write emotion well. Obviously this was just one person’s opinion but, in my dark place, this told me that the things I thought were positives weren’t. And it broke me. I wasn’t invited to submit anything else either. Door closed.
By early December 2018, a couple more submissions I’d made of Wish I Could Tell You Goodbye came back as rejections and I felt so lost. The voices of doubt in my mind were having a field day:
You can’t write
No wonder you’ve barely sold any indie books
All those thousands of hours were a right waste of time
It’s time to give up and accept it’s never going to happen for you
You’re fooling yourself that you have talent
And so it went on. Just when I was feeling at my absolute lowest, Amazon rank-stripped me. An automated email accused me of engaging in dodgy activities to manipulate sales or pages read on my bestselling book (what is now New Beginnings at Seaside Blooms) in the USA. It was absurd. In the timeframe this wrongdoing was alleged to have taken place, I’d sold one eBook in that market and had the equivalent of one eBook read on Kindle Unlimited. If I was going to manipulate sales, surely logic would say I’d have sold more than two books!
Rank-stripping means that the book disappears. It has no ranking so it has no visibility. The only way a reader can find the book is by specifically searching on the title. Ironic, really, that the book at the time was called Searching for Steven and the only way he could be found was by literally searching for him! And not just in the USA where I was accused of naughtiness. This was all markets!
Naturally, I protested and asked for more clarity on what I was meant to have done. Cue an automated response telling me that no more information would be given and accusing me of still engaging in said untoward activity and that if I didn’t stop it, all my books would be removed from the site! What?!
So I protested, which just triggered another auto-response. There were four bot responses in total, each more threatening than the one before.
My Christmas was ruined that year. I was barely selling anything anyway but this pretty much took everything from me and left the fear that I’d be removed from sale completely. I’d been wondering if I needed to give up and it seemed Amazon agreed too and were potentially going to make it happen, whether I wanted it or not.
It took two months for them to reinstate the book. No apology. No explanation. Two weeks later, the exact same thing happened to the same book. Argh!
In January 2019, I saw an advert for a new publisher called Boldwood Books opening for submissions on 1st February and I felt drawn to them. One more try. And if it was a no, it might just be the time to throw in the towel.
Reader, they said yes.
And the book that lacked emotion, lacked depth, had no concept, had too many characters with whom there was no connection became my first release through Boldwood Books in September 2019 under the new title The Secret to Happiness. It has sold more than 70,000 copies across all formats, has been an international Top 10 bestseller and, at the time of writing, has over 3,600 reviews on Amazon alone, 93% of them positive.
For any aspiring authors out there, please do take some learnings from my experiences:
Keep believing in yourself and keep going. While I felt like giving up on so many occasions, I knew I never could. If, like me, stories burn inside you, then keep writing them
You need a lot of patience. Getting traditionally published is about landing the right MS on the right person’s desk at the right time. That’s a lot of stars to align and it doesn’t happen that often … but it can. Hang on in there. If you’re going down the indie route, you still need patience as there’s a lot you need to learn and do to get your book visible and it will take time
Reading is subjective and what one editor passes on, another may love. What is one reader’s scathing 1-star review is another’s favourite book
And on that note, I’ll share with you a 1-star review I’ve just spotted for The Secret to Happiness. An Amazon user in March this year declared that it was “written for children… predictable and long and drawn out. Utterly disappointed” The same reviewer gave a 5-star review to a pair of flat shoelaces!
And my latest for the same book is oozing with meanness: “Oh dear… Drivel. Embarrassingly bad dialogue. Tedious plot and poorly constructed characters. I had the unfortunate experience of the audiobook which added a further eye-rolling level of dreariness”.Honestly, is there any need to be so nasty? So the book wasn’t for her but this audiobook is actually free on Audible Plus so I can pretty much guarantee she has listened to it because it was free so it’s not like she’s even spent any money on it. A 5-star review from her has gone to some fabric dye. Classic.
But that’s fine because that’s their opinion and a huge number of readers disagree. So do my publishers. And so do I!
I’m a firm believer that everything happens for a reason and, even though I was devastated at the rejections from Editors C and D, I’m so grateful that it was a no from them because I couldn’t imagine being in a happier place than Boldwood Books. It’s my home.
I’m off to do my packing for the conference now. Hubby has been to fill the car with fuel and has returned with some emergency biscuits. I need to get them off my desk and into my suitcase as the temptation to break into them is already strong!
I was thrilled to be announced as a finalist for the RNA’s (Romantic Novelists’ Association’s) Romantic Novel of the Year Awards. Snowflakes Over The Starfish Café was one of five finalists in the Christmas/Festive category.
On Monday night, it was the Awards ceremony down in London. I decided to make a trip of it and stay over an extra night on the Sunday to catch up with a friend from university who lives there so it was lovely to see him and it meant I didn’t need to worry about delayed trains and cancellations on the Monday.
Monday was a packed day. I had breakfast with author Rowan Coleman who I’d travelled down with, went for a walk down to the river, had lunch with my editor, then got ready for the ceremony. The weather was a bit grey on my walk but I took a couple of pics of my shortlisted book with nearby sights Tower Bridge and The Tower of London. It’s not easy to hold a book and hold a phone!
All the finalists – five in each of the categories – gathered for a photo shoot before the ceremony. There were only three of us there from my category so the photo shows (L-R) me, Sheila Norton (Winter at Cliff’s End Cottage) and Jenny Bayliss (The Winter of Second Chances).
They were both really lovely and we posed for another unofficial photo together…
I was feeling quite nervous at this point. I didn’t think I had any chance of winning but the last time I attended an Awards ceremony was about 20 years ago when I was up for a business award so this isn’t an every day thing at all.
The reason I didn’t think I would win was nothing to do with me thinking the book wasn’t good enough or anything like that. It was purely down to it being an extremely emotional story which might not have been quite what the readers wanted for that category.
When the photos were done, I joined my publishers, Boldwood Books, down in the bar.
After a quick catch up and photo op, we made our way into the function room for the ceremony.
It was beautifully laid out and we were fortunate enough to be on one of the front tables. The Boldwood team, authors and guests had two tables as there were three of us up for awards – Portia MacIntosh with Life’s a Beach in the Jane Wenham-Jones Romantic Comedy category and Shari Low with One Summer Sunrise in the Contemporary category.
Because I hadn’t expected to win, I hadn’t prepared a speech or even thought about what I was going to say. When the first Award was presented and the winner gave a short speech, I had a sudden panic. What if I did win? What would I say? For one very brief moment, I thought it could be possible and I should have been more prepared.
But I didn’t need to worry about a speech because I didn’t win. Congratulations to Sheila Norton who won in my category.
My category was the first of the ones in which Boldwood was represented so I was hoping one of the other Boldwood authors would bring home the win. One of our authors, Anne-Marie Brear was also up for an award as an indie (entered pre-Boldwood) in the Romantic Saga category with A Distant Horizon so we were rooting for her too but it wasn’t our night. None of us won our categories.
Enormous congratulations to all the winners and all the finalists. You can read the RNA’s article containing all the category winners here.
I have a certificate and a beautiful brochure to commemorate a special evening and would like to say thank you to everyone who congratulated me on being a finalist, wished me luck and said kind words about this book. I really appreciate all the gorgeous comments.
It was lovely to be able to spend time with my publisher, some of the other Boldwood authors, and to catch up with some other authors and it was certainly an honour to be a finalist.
Thank you so much to everyone in the RNA for organising and hosting a wonderful evening.
The following morning, the sky was bright blue so I couldn’t resist another walk down by the river to get some nicer photos so here’s a little selection of my pics from Tuesday morning in a very sunny London.
Hi there and happy Sunday to you! Hope you’re having a fabulous weekend.
I’m on the penultimate day of writing my 5th Hedgehog Hollow book – Chasing Dreams at Hedgehog Hollow – ahead of submission to my editor so am only briefly emerging from the story to bring you the exciting news of two audiobooks in the Audible UK £3 sale this week.
The first title included is book 3 in the Hedgehog Hollow series – Family Secrets at Hedgehog Hollow – is included. Book 1 – Finding Love at Hedgehog Hollow – is free with AudioPlus anyway and book 2 – New Arrivals at Hedgehog Hollow – has previously been in the £3 sale.
The second title is Snowflakes Over The Starfish Café, currently a finalist in the RNA’s Christmas/Festive Romantic Novel of the Year.
Even though I’m frantically writing to meet my deadline, I know I’ll find it impossible to resist checking the Audible chart. All the other audiobooks I’ve had in the £3 offer have made it into the Top 100 which is very exciting.
Don’t forget the offer only lasts one week. There’s a helpful countdown on Audible’s sale page…
If you’re an eBook reader instead, Snowflakes Over The Starfish Café is still on a 99p offer on all eBook formats.
I’m also celebrating a double book birthday today.
Books 2 and 3 in the ‘Welcome to Whitsborough Bay’ series – New Beginnings at Seaside Blooms and Finding Hope at Lighthouse Cove – were re-issued through Boldwood Books two years ago today on 20th February 2020.
The re-launch of this series in quick succession across a 2-month period heralded a big change for my writing and, after years of struggling, I finally started to sell more than a handful of books each week. A few months later, I was able to realise my dream of writing full time.
Birthday book New Beginnings at Seaside Blooms is still on a Kindle Monthly Deal for 99p in the UK and an equivalent price in Australia.
Coinciding with its birthday celebration, I’m thrilled to have had the news this week that New Beginnings at Seaside Blooms has passed an amazing sales milestone of 50,000 units so far with Finding Hope at Lighthouse Cove only 7,000 units behind so hopefully that will reach the 50k mark very soon too.
Thank you, as ever, to anyone who has bought/borrowed/downloaded any of my books and, to the Audible UK subscribers, I hope you enjoy these two audiobooks on offer. If you’ve already listened to them, do please spread the word to any friends/family members who might be interested.
Today has been a big news day. Enormously big news! So let’s crack on.
A few weeks ago, I was in bed reading when a text came through shortly before 10pm from my fabulous editor, Nia, saying “You need to check your email!” So I did and it was to the amazing news that Snowflakes Over The Starfish Café had been shortlisted for the RNA’s Romantic Novel of the Year Awards in the Christmas / Festive Romance category.
You know the phrase 3rd time lucky? Well this was 3rd time lucky for me with Boldwood Books but actually 7th time lucky overall as I’d submitted four of my indie titles before joining Boldwood. Keeping the faith pays off!
I’m thrilled that fellow Boldwood authors Shari Low and Portia MacIntosh have also been shortlisted in the contemporary and romantic comedy categories respectively. I believe this is a second time for each of them since joining Boldwood so fingers crossed for the win.
Also, congratulations to AnneMarie Brear. AnneMarie is a Boldwood author but only joined us recently and she’s therefore shortlisted for one of her indie titles (as these are all for books released during 2021).
And of course congratulations to all the finalists. You can read the full announcement and list here.
Finalists are asked to keep the news under wraps until the big announcement so I’m delighted it is now out in the open. I’ve had so many amazing comments on social media and really appreciate all the support.
The Awards ceremony is in London on 7th March so I’m looking forward to a trip down to the capital and, because I’m going that far, I’ve arranged to meet with a good friend from my university days on the Sunday evening. Last time I saw him, I was down in London for an RNA event and Boldwood had just launched so we have a lot to catch up on!
Which brings me to my next piece of news…
BOLDWOOD BOOKS’ 3RD ANNIVERSARY
Boldwood are celebrating 3 years today since their initial launch. I remember sitting up until midnight on 31st January 2019 so that I could send my manuscript – The Secret to Happiness – in as soon as February arrived. Then I panicked that they might not actually receive submissions until the working day officially started so I sent it again!
I was thrilled to be invited in late March that year to be one of their first twenty authors and it’s been the most phenomenal three years so far. Here’s to the next three!
To celebrate their astonishing growth to about 70 authors, nearly 6m sales, hundreds of bestsellers and thousands of amazing reviews, they’re running a competition to win a Kindle. This is over on their Book and Tonic Facebook page or you can find it on Twitter by following @BoldwoodBooks
Wishing Amanda, Nia, Claire, Megan, Caroline, Sarah, Emily, Tara and Laura and all the amazing authors at Boldwood a very happy 3rd anniversary.
And for my final piece of big news today, I return to the RNA…
RNA LEARNING COURSE LAUNCHED
I’m excited to announce that I’m going to be running an RNA Learning Course across March all about how to write a novel or series set in a country or coastal setting because, well, that’s what I know quite a bit about!
Before I became a full-time author, I worked in HR and specialised in recruitment and training. I’ve therefore run training workshops, designed materials and even trained trainers for nearly three decades so was delighted at the opportunity to put some of those skills into use again.
This course runs flexibly online where students can access materials from 1st March up until midnight on 31st March and therefore work at their own pace within that month. There will be specific times within that where I will provide live input and support.
The session will suit anyone who is writing or thinking about writing in these settings and the great news is you don’t have to be a member of the RNA member to participate, although the price is more for non-members.
To find out more, please click here. This is also where you can sign-up if you think it’s for you.
I’m really looking forward to running this course and sharing my knowledge and experiences as well as those of other authors who write in these settings who have kindly shared their thoughts with me.
My February is going to be jam-packed as I need to pull together the training materials, finish writing Chasing Dreams at Hedgehog Hollow which is currently only one-third written, and I have a gig and a holiday this month too. Who needs sleep?
By the way, Snowflakes Over The Starfish Caféis still only 99p for all eBook formats so there’s still the opportunity to grab yourself a bargain (or free in Kindle Unlimited).
Although Christmas Wishes at the Chocolate Shop (previously independently released as Charlee and the Chocolate Shop) was published by Boldwood Books on 3rd August, we decided that the height of summer probably wasn’t the ideal timing for a blog tour of a Christmas book so we held back.
With the arrival of the colder weather, the darker nights creeping in, and the shops stocking their Christmas goodies, the blog tour starts today (12th October 2021) and runs until 27th October.
Across sixteen days, there’ll be a whopping 48 stops (3 a day). Looking at the schedule, it’s lovely to see so many regulars – really flattering as it means they love my books enough to keep coming back for more – but also a delight to see some newbies. Hopefully they’ll love Charlee’s story and become converts!
A huge thank you to Boldwood Books for enabling the tour, to Rachel Gilbey of Rachel’s Random Resources for organising it, and the wonderful 48 bloggers/reviewers taking part.
And, on the subject of Rachel, congratulations to her for being a finalist in the Media Star of the Year category in the RNA (Romantic Novelists’ Association) 2021 Industry Awards. You can read the RNA’s announcement here.
All three books are complete standalone stories but books 2 and 3 are closely connected as the two businesses are next-door to each other and the two business owners, Carly and Tara, are good friends. They follow on chronologically and there are therefore a couple of spoilers for Carly’s story if reading Starry Skies first although plenty of readers have read them the other way round and still loved them.
Although Christmas Wishes is the first book in the series, it can be read before or after the others. The heroine – Charlee Chambers – and her shop do appear in the other two but there aren’t any spoilers for her story.
Big chocolatey hugs Jessica xx
Christmas Wishes at the Chocolate Shop
Sometimes you just need a little Christmas magic to make your wishes come true…
When master chocolatier, Charlee, takes the leap to move to the picturesque seaside town of Whitsborough Bay, she is determined to follow in her grandfather’s footsteps and set up a chocolate shop.
Luckily, she finds the perfect location for Charlee’s Chocolates on beautiful Castle Street… Now she just has to refurbish it in time for Christmas!
With a useless boyfriend and countless DIY disasters, Charlee doesn’t know if she’ll make it in time. With no ‘traditional’ family to support her, she feels lost in her new surroundings and the secrets of the past are weighing her down.
But the warmth and festive spirit of the Whitsborough Bay community will surprise her, and when plumber, Matt, comes to the rescue, it might be that all of Charlee’s dreams could come true this Christmas, and she could learn what family really means…
Escape to Castle Street for the perfect uplifting, festive read from top 10 bestseller Jessica Redland.
Having spent most of the past 18 months hibernating, I’m recovering this morning from a packed weekend. On Friday night, I went to my first live music gig since the pandemic started. Duran Duran were playing at Scarborough’s Open Air Theatre (OAT) and I got hold of tickets to go with my husband’s twin sisters at the back end of last year hoping that everything would have calmed down.
At the start of this year, it was looking less and less likely that we’d get to see the gig or any of the other 4 I had tickets for. Three of them got postponed until 2022 but Duran Duran and Olly Murs were put back to later in the summer season this year. Unfortunately, I had to get my money back on the Olly Murs one as the postponed date clashed with our holiday in the Lake District but I could make the Duran Duran date.
We went out for tea and pink prosecco first and it felt so good to put some make-up on, do my hair and be out out!
Duran Duran still have it after 40 years in the business. It’s the second time I’ve seen them, the first being about 15 or 16 years ago in Manchester shortly after hubby and I met. They played a great set with one new (but good) track and a couple I wasn’t so familiar with among so many favourites. An encore of Save a Prayer, Wild Boys and Rio was just fabulous.
I was then up early on Saturday to get ready for a trip to York for the RNA’s (Romantic Novelists’ Association) York Tea. I’d been to the previous three although the event took a break last year.
I usually go with my bestie, fellow author Sharon Booth, but Sharon was unable to join us this year and it was strange being there without my partner in crime. I usually travel by train and arrange to meet up with another writing friend for tea and cake beforehand but, this time, hubby drove us in so he and the munchkin could have a walk round the city walls. Somehow she turned this into a trip to Primark and various other clothes shops instead!
We had a little wander round York first as traffic had been surprisingly good so we had some spare time. York Minster was looking mighty fine in the sunshine.
The venue is the Merchant Taylors’ Hall in York is a gorgeous venue and it was the third time the York Tea has been held there. Although the event has always been held at the same time of year, the weather has massively varied. That first year it was really cold and the fire was blazing. This year there was bright sunshine and I had to shed my cardigan while wishing I’d brought a fan with me!
To make the event as safe as possible, there were reduced numbers and it was a condition of attendance to have been double-vaccinated, making the decision to attend a little easier.
Three fellow Boldwood authors were there and it was so lovely to meet them face to face: L-R Sheila Riley and Lizzie Lane, both of whom write historicals, me, and Lynda Stacey who writes romantic suspense/psych thrillers.
Lynda and I had been chatting on social media beforehand and were stunned to discover we’ve been to the York Tea at the same time on several occasions (Lynda used to actually organise it!) and another much smaller writing event yet we’ve never actually met so it was fabulous to finally meet in person.
There were eight of us round our table. I sat next to my lovely friend Joy Wood who has written a few different genres but whose latest books are psych thrillers and had the amazing Milly Johnson on the other side! I managed a photo with Joy but stupidly never thought to get a photo with Milly. In fact, I was pretty rubbish at thinking to take photos of people or food. I think I’m out of practice being in a room with people and it just didn’t occur to me until right at the end.
The food, by the way, was delicious although the scones did elicit the usual pronunciation debate, whether jam or cream should go on first, and the merits of adding butter. I am sconn, yes to butter, jam before cream. And I am so right about this!!!!!
Lynda was on my table too with Daisy James (romcoms) who I’ve met at several other events and love to chat to, as well as Chrissie Bradshaw (historicals and romcoms) but I sadly didn’t get an opportunity to properly talk to Chrissie as we were on opposite sides of the table.
I had the pleasure of meeting lovely local author Eliza J Scott, an indie author with gorgeous books set on the North Yorkshire Moors and had some serious outfit envy of this gorgeous skirt worn by Jane Lacey-Crane (women’s fiction)). Check out all these books! Isn’t that just the prettiest skirt ever?
It was great to catch up in person with several members of the Beverley RNA Chapter – L-R Sylvia Broady (historical), Jenni Fletcher (Mills & Boon Historical), Rhoda Baxter/Jeevani Charika (romcom/women’s fiction) and me. Pre-Covid, we used to meet monthly but have been having online meetings instead. Hopefully we’ll return to face to face in the New Year. (Photo credit to John Jackson).
I apologise for not name-checking everyone I spoke to and there were so many more people I’d have loved to chat to including Jenni Keer who I met in the ladies right the start of the event and who was such a delight, but time was not on our side. Hopefully another time!
Hubby and munchkin met me afterwards and we headed home for a takeaway and the start of the new season of Strictly Come Dancing. Fabulous to have that back on our screens again. I think there are going to be some wonderful pairings there and the standard is going to be extremely high.
After an evening and a day off socialising, it was back to my desk yesterday and I am pleased to report that the first round of edits on A Wedding at Hedgehog Hollow are now complete and back with my editor. I’m catching up on a day of admin today before diving into Summer Nights at The Starfish Café tomorrow.
Thank you to John Jackson, Jean Fullerton and everyone involved in organising The York Tea. Huge congratulations to all the former NWS members (New Writers’ Scheme) who were nominated for the Joan Hessayon Award which was part of the event. The winner, Caroline Day with Hope Nicely’s Lessons for Lifewas clearly stunned to win which was so touching to see and I wish her – and all the others – every success with their writing careers.
Yesterday was the publication day for All You Need Is Love and, I have to say, all I felt was love all day. How amazing are the reading and writing community?
It was my busiest publication day yet with so many lovely comments on social media to read and respond to and lots of activities going on so Ive just got a quick round up, a few links and some photos…
There were biscuits…
My fabulous publisher, Boldwood Books, always send a wonderful publication day gift and this time it was biscuits with book covers and congratulations messages on them. They didn’t last long! I was under strict instructions from my daughter to save her one of the book cover ones and I had a text from her on the bus to school this morning saying she’d been in such a rush, she forgot to pick it up to take it to school. She has been warned I might have the munchies later!
There was cake…
It was hubby’s birthday yesterday so we had birthday cake too. Mmmm. I completely forgot to take a photo of that, though.
There were books…
My paperbacks arrived. I always look forward to the books coming as it’s such an amazing moment to see them, stroke them and, yes, sniff them. But I’d particularly been excited about the arrival of All You Needs Is Love because of those gorgeous sunset colours and it didn’t disappoint at all. So vibrant! My daughter has announced it’s her favourite cover and it might just be mine too as those colours are simply stunning.
The gorgeous wooden campervan (Thor the campervan in the story) has been well admired. I bought him from my favourite shop in Scarborough: White Beach Designs. The lovely owner, Andie, has a Facebook page if anyone is interested in one (they come in different colours). I do highly recommend the shop for gorgeous handmade jewellery, wooden gifts, pebble art and so much more. You can find the Facebook page here.
There was a party…
Last month I was invited to join a lovely Facebook group called ‘Heidi Swain and Friends’ which is run by Sue and Fiona as a readers’ group/book club for fans of Heidi Swain’s gorgeous books and authors who may also appeal to Heidi’s readers. Heidi very kindly supported Sue and Fiona’s suggestion to host a publication day party for me and they ran a day full of fun questions and quizzes relating to All You Need Is Love. It was fabulous seeing all the interaction from readers and joining in myself. A huge thank you to Heidi, Sue and Fiona. If you’d like to join the group, you can do so here.
I also have a readers’ group of my own on Facebook for discussion about anything related to my books and settings. Thank you to everyone who was so supportive on there and for all the kind messages coming through from those who have already read this book or plan to. If you haven’t already joined Redland’s Readers, you can do so here.
There was a blog tour
My blog tour kicked off yesterday with three lovely reviews. There’ll be 36 stops over 12 days and, as usual, I’ll share a round-up at the end. An enormous thank you to all those who have signed up and those who share their posts. It makes such a difference to get these early reviews and spread the word. Thank you also to those who have read this book under its previous incarnation as Bear With Me for sharing the love for this story.
There were blog posts
I guested on the Boldwood Books blog talking about my own teddy bear shop which inspired part of the story. You can find that post here.
I also guested on the RNA’s blog (Romantic Novelists’ Association) talking about my inspiration for the story and a bit more about my writing. Thank you to Catherine Lawless and the RNA for hosting me. You can find that post here.
There was music
I pulled together a Spotify playlist of songs which link to/inspire All You Need Is Love. You can find that here. They’re roughly presented in the order of relevance to the story so, if you’ve read the book, you can probably guess which part they may relate to. As you’d expect, not all the lyrics are a perfect match but the general vibe is there. Thank you to my editor, Nia, for pulling this together for me. I hope you enjoy listening to it.
There was a video
I created a publication day video about what to expect and explained the difference between plush bears, collectible bears and artist bears (with gorgeous bears to help me) which you can find here.
And the day finished with a Facebook Live
My amazing editor Nia Beynon hosted an ‘in conversation’ on Facebook for an hour and we had some fabulous questions. I also did a reading from All You Need Is Love. Thank you to everyone who joined us live or who has listened to it since. You can catch up with the video here.
So, as you can see, an extremely busy but lovely day. Thank you to everyone who made it so special and particularly my amazing husband and daughter, Mark and Ashleigh, without whose support I wouldn’t be doing what I do today.
If you’re interested in reading to All You Need Is Love, it’s available as an eBook for Apple, Kindle and Kobo, and in print format as a paperback, hardback and large print. For those who like to listen, it’s available as an audio download or physical copy and will appear on streaming services soon.
Big hugs Jessica xx
All You Need Is Love
When you’ve loved and lost, how do you find the strength to let love in again?
Jemma thinks she’s found the love of her life. Scott is everything she ever dreamed of and she can’t wait to begin the next stage of their life together. But just as she is heading for her happy ever after, a shock revelation shatters Jemma’s life as she knows it. Left to pick up the pieces, Jemma’s friends and family rally round to help her find the courage to move on.
Sam think he has his future all worked out. A thriving career, lovely home and an amazing fiancée. But when tragedy strikes, he finds himself alone, far from everyone he cares about. Did he do the right thing by running away and trying to rebuild the tatters of his life alone?
This is the story of Jemma and Sam. Two lost souls, desperately trying to find closure and happiness. When a chance meeting brings them together a friendship is formed, but the guards are up.
Will it finally be their turn for a happy ever after? Or will the secrets from their pasts prevent them from moving on?
Escape to Whitsborough Bay for an emotional, uplifting story of love and friendship from top 10 bestseller Jessica Redland.
This book was previously published as Bear With Me.
Today is the publication day for my latest Boldwood release, All You Need Is Love. Publication days are always special but this one is extra special. It’s my husband’s birthday, it’s my sprocker spaniel Ella’s fifth birthday (happy birthday my lovelies xx) AND this is my tenth book to be released through Boldwood Books. Ten! Eek!
I first thought about writing a book a long time ago – back in 2002 – when a manager at work told me my business reports read like stories and I should write a book. Great idea but what would I write about? Then something happened to me that gave me the premise for my debut novel and I started writing it the following year.
Back then, I never thought about the next stage. Getting the book published wasn’t something I was aiming towards. The goal was simply to get to the end, to write a book. Could I even do that? Could I construct an interesting page-turning story with engaging characters?
It took me a decade to finish the book due to a combination of big life events – wedding, baby, house moves and job changes – but I kept chipping away. I started to think beyond finishing, especially as the idea for one book had developed into a trilogy.
After two critiques through the Romantic Novelists’ Association’s (RNA) New Writers’ Scheme, my debut novel was ready to seek a publishing deal. For most authors, the road to publication is a bumpy one paved with rejections and disappointments and my experience is no exception. Ten months and twenty-three rejections later, I was seriously thinking about going indie when two very different offers came along: an established US-based digital only publisher v a new UK-based publisher who’d publish in ebook and paperback. I chose the latter.
My debut novel and a prequel novella were released in May and June 2015. My amazing husband surprised me on publication day with a set of canvases: one of each of the book covers and a third with the release date on it and this quote from the author Mark Twain:
“The two most important days in your life are the day you are born and the day you find out why.”
The quote made me cry. We both knew that I’d found my purpose in life and, having secured a publishing deal, I was now on my way…
But it didn’t work out. The company failed to make an impact in the publishing world and ceased trading shortly after my final book was released. I was devastated. With my rights back, I re-released the trilogy and prequel novella independently. They tanked.
I thought things might change when I released a brand new book the following year but they didn’t and, for the next few years, I struggled. I was working long hours in a full-time job, I led a Brownie Pack, and I had a family. Finding time to write was a massive challenge. Finding time to explore how to be a successful indie author was an impossibility.
I released another four books – all Christmas ones – and enjoyed some success with them but, mostly, it was days of zero sales and low chart positions. My reviews were great. Those who discovered my books seemed to love them but not enough readers were discovering them so, in summer 2018, I decided that it was time to try to secure a publisher again.
First time around, I had no idea if I had something a publisher might want and saw it as a process: Rejection? Okay, that’s a shame, but who’s next on the list? Second time around, each rejection floored me. A brand new novel provisionally titled Wish I Could Tell You Goodbye received five rejections. I also tried one of my back catalogue, Bear With Me, which gathered three passes. It was really hard to focus on the positive feedback when phrases like “Not suitable for our list”, “Not ‘hooky’ enough to stand out” and “Didn’t quite hit the mark for me” kept leaping out at me.
As 2018 drew to a close, I’d never felt so low about my writing and questioned whether it was time to give up. What was the point in spending months writing a book when hardly anybody was reading it and no publishers wanted it? But the reality was that writing was part of me. I was bursting with ideas. I had stories to tell. It was the only thing I wanted to do. I kept looking at that Mark Twain quote and believing that, one day, it would happen. One day my manuscript would land on the right desk at the right time and my world would change.
And it did.
I spotted an advert for the newly-formed Boldwood Books who’d be opening for submissions in February 2019 and knew I’d found my perfect home. I just hoped they agreed. Thankfully they did and I was offered a whopping 9-book publishing deal for four new books and five from my back catalogue. Another couple of contract addendums added in the remaining three previously-published books.
The book that secured my deal with Boldwood was the five times rejected Wish I could Tell You Goodbye. It was released in September 2019 under the title of The Secret to Happiness and has since sold nearly 50,000 copies and been in The Works. And the rejected Bear With Me is now re-edited and reissued as All You Need Is Love out today.
I’m writing my thirteenth book at the moment; the first for a new 12-book contract with Boldwood. If somebody had told me when I was writing my first novel that I’d be a full-time author releasing my tenth book through the most incredible publisher while writing my thirteenth, I’d never have believed them. When I went through my second submission round and devasted by the rejections, I wouldn’t have done either.
So today as I celebrate my tenth Boldwood release, I am so grateful to my husband and daughter for the canvas that hangs above my desk and reminds me each day of my purpose in life and for their constant encouragement. I’m so grateful for the rejections I had along the way because they brought me to my perfect home with Boldwood Books. And I’m so grateful to all the readers who’ve bought or borrowed my books and audios, particularly those who send me messages or write gorgeous reviews telling me how much they love my books. My tenth book is called All You Need Is Love and it’s a message that applies to authors. We need the love from readers to keep going through the tough times, the love of a publisher who believes in us, and family and friends who support us every step of the way.
If you have a dream, don’t give up on it. Sometimes when it feels like things are falling apart, they might actually be coming together. It might not happen for you immediately … but it could happen down the line. It did for me.
Boldwood Books, my amazing publishers, are celebrating the one-year anniversary of their first published book and what a year it’s been for Boldwood as a publisher and for me personally as one of their authors.
They shared a graphic on their social media this morning which I’ve shamelessly stolen, summarising an amazing year:
I was the 5th author to be published with The Secret to Happiness released on 3rd September 2019. My re-edited ‘Welcome to Whitsborough Bay’ series came out in the first quarter of the year and Finding Love at Hedgehog Hollow – the start of a new series – came out last month. Six of those 59 titles published are therefore mine. Greedy, aren’t I?
I’ve had such an amazing first year as a Boldwood author.
I’ve gone from languishing in the charts and failing to make an impact to being a Top 10 international bestseller… Woo hoo!!!! All of my books have been in the UK Kindle Top 200 with two of them entering the Top 100. Just yesterday, New Beginnings at Seaside Blooms (which has been in the Top 100 since the start of May, peaking at #14) and Finding Love at Hedgehog Hollow were in the Top 100 at the same time which was lovely. Five titles have been in the Top 30 on the AppleBooks chart and the other – Making Wishes at Bay View – only didn’t make it quite that high because it was on a free offer and #1 in the free chart.
I’ve gone from days and days of zero sales to… well, watch this space as I should have an announcement about that next week when July’s sales figures are in. Eek! It’s something I could never, ever have dreamed I’d achieve until I joined Boldwood.
I’ve gone from having my titles in eBook only… to 9 formats. Wow! You’re going to ask me to name them all, aren’t you? Argh! I think it’s eBook on 3 platforms (Kindle, Kobo, AppleBooks), paperback, large print, audio MP3, audio CD, digital audio and one more format that I know about but there’s not been an official announcement yet so I’d better not say just yet). The Secret to Happiness has appeared in The Works stores around the UK and online and it is always a dream to hold (and sniff and stroke) your own paperback. It’s not just me. I promise. We all do it!
I’ve gone from having a demanding day job… to being a full-time author and I could not be happier to be able to spend my days chatting to my fictional friends and making stuff up. And procrastinating a bit on social media. Okay, procrastinating a lot! Although I did write 80k words of my second Hedgehog Hollow book since leaving the day job so I’ve got my head down too.
I’ve gone from feeling like a failure… to feeling like a real author who isn’t just wasting their time slapping a few words on a computer and hoping somebody will read them. If anyone asked me what I do, I’d always say I work in HR (true) and only occasionally add in an embarrassed voice that I also write books. Why? Because I dreaded the next question: Would I have heard of you? Cringe! Er, no. Only my mum has! Or the classic: I’d love to write a book… if only I had the time! (As if to suggest that I clearly had loads of spare time on my hands!) Or the glazed-over eyes/disinterest/disbelief and swift change of subject.
Now, I proudly declare I’m an author – or I did before Covid turned me into more of a hermit than usual – while trying to push that pain in the backside, Imposter Syndrome, back in his box. Ooh, he’s a little tinker.
Now, readers get in touch with me to say they’ve loved my work. Now, other authors ask me to read and endorse their books. I have to pinch myself every time these things happen and wonder if they’ve got the right person!
So on Boldwood’s 1-year publication anniversary, my thanks go to so many people who have changed my life over the past year:
Boldwood Books for inviting me into their fold and believing in me – Amanda, Nia, Caroline, Sarah, Megan and Ellie (and welcome Emily!)
Our audio partners, Isis Audio, and Ulverscroft who run the uLibrary App and produce our large print books. Your work is fabulous and my audios, voiced by Lucy Brownhill and Emma Swan are brilliant
My superb, passionate, talented and lovely editor, Nia Beynon, whose support and advice I value so highly
My fellow Boldwood authors for being such a supportive community
My husband, Mark, and our daughter, Ashleigh, for being amazing and never moaning about the crazy hours I had to work trying to balance a day job with writing
My mum for being my number one fan!
The amazing book blogger community, some of whom have been with me since my debut release. You are such amazing champions of my work and I appreciate all your kind words and promotion so much
Any of my family and friends who’ve read/reviewed/promoted my books. You know who you are and I’m so very grateful
My writing bestie and super-talented fellow author, Sharon Booth, for tea, cake, advice, encouragement and sympathy
My other Write Romantic buddies for being there with virtual hugs during hard times and congratulations during the good
The Beverley Chapter of the RNA who are so much fun to be around. So glad we’ve managed to keep our meetings going virtually
A whole host of authors, some of whom I’ve met, some of whom I only ‘know’ virtually who’ve been so supportive and encouraging
And last, but absolutely not least, all you lovely readers. Boldwood say they’d be nothing without their authors and I’d be nothing without my readers. You are absolute stars, every one of you
If I had some cake, I’d be tucking into it right now but, instead, I’ll take a sip of Diet Pepsi (I so know how to party!) and toast Boldwood Books and their team of amazing authors.
If you’re an author, Boldwood are currently closed for submissions but will be open again later in the year. I cannot recommend them enough as a home for your books so do follow them on social media and watch out for news.